home
   


buy a ticket now

SHOWS

EAST 10TH STREET:

Self Portrait With Empty House Written and Performed by Edgar Oliver
Brian Barnhart, Axis Theatre, Richard Jordan Productions Ltd in association with David Elliott
UK Premiere

show

As I was walking in front of an old, decayed townhouse, I happened to look up just in time to see a gnarled hand reach through the Venetian blinds and tape this beat-up old paper bag to the inside of the parlor floor window. On the paper bag was scrawled in pencil, in this kind of horror handwriting - Room For Rent. So I ran up the front steps, and I rang the doorbell. The room was very small. But it had a big, beautiful window looking out onto the trees of Tenth Street.

Direct from its sell-out Off-Broadway season, legendary New York theater-icon Edgar Oliver weaves a fantastical and hilarious voyage through the dark and strange rooms of his East Village tenement building; in-habited by a dwarf cabalist, possible Nazi, the landlord's former wet nurse. And wherein lie the secrets of his family and the unbelievable odyssey that brought him there.

 


EAST 10TH STREET book now
[no booking fees]
PREVIEW Thursday 6 August (11.15am). Preview ticket price £10 (£5 concession)
DATES & TIMES Friday 7 - Sunday 16 August. Week 0. Friday 7 Aug (12.45pm), Saturday 8 Aug (3.00pm), Sunday 9 August (5.45pm). Week 1. Tuesday 11 Aug (8.15pm), Wednesday 12 Aug (11.15am), Thursday 13 Aug (12.30pm), Friday 14 Aug (3.00pm), Saturday 15 Aug (5.45pm), Sunday 16 Aug (8.15pm)
TICKETS: Sunday - Thursday £14 (£10 concessions/£5 unemployed), Friday - Saturday £16 (£11 concessions)
SPACE TRAV2
RUNNINGTIME 1 hour
EARLY BIRD £11 (£7 concessions/£5 unemployed) on Friday 7 August if bought before Friday 24 July (subject to availability)
LINK(S)  

Photo credit: Alice O'Malley

Director: Randall Sharp
Lighting Designer: David Zeffren
Sound Designer:: Steve Fontaine

"It's hard to imagine anyone like him, with a similar set of stories... a living work of theatre."
New York Times

"Nowhere do the lines between legend and history, living and haunting, so noticeably blur... a bewitching presence."
Back Stage

"An outlandish cast, worthy of Dostoyevsky... creepy and droll beyond words... a pitch-perfect delivery... profoundly affecting".
New York Press