﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>Traverse Theatre</title><link>http://www.traverse.co.uk/</link><description>Traverse Theatre Latest News</description><item><title>50 Plays for Edinburgh make a comeback this Festival </title><link>http://www.traverse.co.uk//news/50-plays-for-edinburgh-make-a-comeback-this-festival/</link><description>With the 2013 Traverse Festival launch date drawing closer, we
have some exciting news to share about this year's programme.

We are delighted to reveal that the Traverse Fifty
writers, who have come on board to work with us in our
50th year, will be making an appearance. Their 50 Plays for
Edinburgh, which secured them each a place on the
programme, are to be the swansong of this year's Festival on 30 and
31 August.

The 50 500-word plays performed in one sitting captured the
public's imagination - in fact, we programmed a second showing as
the first performance sold out so quickly. The plays caused a storm
in the press, too - click here to read a round-up of the
whirlwind of praise they won back in January. &amp;nbsp;

This time round, the 50 plays will be performed across two
nights, with 25 plays on each. They will once again be directed by
Traverse artistic director Orla O'Loughlin and our associate
director Hamish Pirie, who are both thrilled to be working on the
50 Plays again....</description><pubDate>Tuesday, May 21, 2013</pubDate></item><item><title>Traverse Fifty meet Scottish theatre heavyweights</title><link>http://www.traverse.co.uk//news/traverse-fifty-meet-scottish-theatre-heavyweights/</link><description>Yesterday our Traverse Fifty
writers descended on the bar for Café
Conversations, a speed-dating style networking event
giving them the chance to pick the brains of leading theatre
professionals. They were given the opportunity to chat to Nicola
McCartney from the Scottish
Society of Playwrights, Judith Doherty from Grid Iron Theatre Company, as well as
producers from Stellar Quines, The Arches and Untitled Projects.

We caught up with a couple of the writers who attended, and were
delighted at their response to the session. Jack Dickson told
us:&amp;nbsp;

"The 'speed-dating' format worked wonderfully - I met lots
of interesting people and I now have a much better understanding of
what producers are looking for. I'd maybe even go so far as to say
this was the best Traverse Fifty event yet."

Former member of the Traverse Young
Writers' Group and Words, Words,
Words contributor Matthew was equally enthused:

"It was a great way to meet people from some of Scotland's
top theatre-makers and...</description><pubDate>Thursday, May 16, 2013</pubDate></item><item><title>Made in Scotland 2013: Traverse show announced</title><link>http://www.traverse.co.uk//news/made-in-scotland-2013-traverse-show-announced/</link><description>We're delighted that David Leddy and Fire
Exit's Long Live The
Little Knife will be part of the 2013 Traverse Festival.
The show features in this year's Made In Scotland Showcase, a project
set up by the Edinburgh Festival Fringe Society, Federation of
Scottish Theatre and Creative Scotland to boost the profile of the
Scottish arts in the international arena. &amp;nbsp;

The show, which played in Glasgow earlier this year, is a
fast-paced, punchy feast of spoken word that questions the nature
of 'truth', via a husband and wife forgery team. They're small-time
con-artists who need £250 grand to buy their way out of a turf war.
Their mission is to be the greatest art forgers in the world.
There's only one problem. They can't paint.

Read more about the show and its creator - the"theatrical
maverick" David Leddy (The Scotsman), and watch the trailer
for this provocative and boisterous caper here.

We're also excited that Playwrights' Studio
Scotland will be making a return to the Traverse...</description><pubDate>Wednesday, May 15, 2013</pubDate></item><item><title>After show discussion announced for The Bear </title><link>http://www.traverse.co.uk//news/after-show-discussion-announced-for-the-bear/</link><description>We're looking forward to welcoming theatre-maker and performer
Angela Clerkin back to the Traverse for this month's Improbable production, The Bear. A stylish noir thriller, it's a
murder mystery with a solicitor's clerk and a mythic bear - more on
that here.

It's been announced that on 17 May, writer and performer Angela
Clerkin will be joined by The Stage's Scotland
correspondent and theatre critic Thom Dibdin in an after show
discussion. We caught up with Thom, and he told us he was intrigued
by the fact that Angela's personal experiences as a solicitors
clerk at the Old Bailey are the starting point for the play, and
was keen to know more. He was struck by the unusual &amp;nbsp;content
of the play, too - the noir styling , bear facts interspersed
throughout the whodunit story line, all mashed up into a story with
a mythic edge.

He went on to say&amp;nbsp;"The company have real form, too. And
of course composer on the project is Nick Powell who was a
co-founder on the fantastic Suspect...</description><pubDate>Friday, May 10, 2013</pubDate></item><item><title>Traverse scoops 6 CATS Awards nominations</title><link>http://www.traverse.co.uk//news/traverse-scoops-6-cats-awards-nominations/</link><description>It's been announced today that the
Traverse has received six nominations in this year's Critics' Awards for Theatre in
Scotland. The Awards, co-convened by theatre critics Joyce
MacMillan and Mark Fisher, celebrate the vibrancy and quality of
theatre produced in Scotland.

Ever championing the best new theatrical talent, the Traverse
scooped three out of four nominations for Best New
Play, with Rob Drummond's Quiz Show, last year's The Artist Man and the
Mother Woman by Morna Pearson and Douglas Maxwell's A
Respectable Widow Takes to Vulgarity all in the
running.

The most talked-about show of the Spring, Quiz Show, dominated as the most
nominated show in the awards. As well as an entry in the
Best Production category, the show's director
Hamish Pirie is up for Best Director, and actor
Eileen Walsh for Best Female Performance. Our
Associate Director Hamish is thrilled to be selected for the
shortlist - saying this morning "after a great run this Spring,
and so much buzz about the...</description><pubDate>Thursday, May 9, 2013</pubDate></item><item><title>Update from Traverse artist in residence </title><link>http://www.traverse.co.uk//news/update-from-traverse-artist-in-residence/</link><description>For the third year running, we've teamed up with the University
of Edinburgh's Institute for Advanced Studies in
Humanities to offer a 6 month Creative Fellowship for a
Traverse playwright. Our current resident playwright within the
university is Iain Finlay Macleod, whose work for the Traverse
includes The Pearlfisher, I was a Beautiful Day
and Homers. Iain is working with the theme 'difficult
dialogues' with a view to a new play landing on the Traverse stage
in 2014.

An early draft&amp;nbsp; of Iain's play,&amp;nbsp;The Devil Master
and his Children, received an airing last month during the
University's Haggis
Hunting event at the Traverse last month, and he chatted
through the development of the play so far to a group of IASH
students earlier this week.

He explained that the idea for the play sprang from a wealth of
wide-ranging ideas; as a Gaelic speaker, Iain found the 'difficult
dialogues' starting point resonated with ideas of language and
identity. This collided with wide-ranging...</description><pubDate>Friday, May 3, 2013</pubDate></item><item><title>TravCast: Iain Finlay Macleod</title><link>http://www.traverse.co.uk//news/travcast-iain-finlay-macleod/</link><description>We had the pleasure of spending half an hour with playwright
Iain Finlay MacLeod for this month's podcast - a playwright,
screenwriter, novelist and director based on the Isle of Lewis.
Iain is the current Traverse writer in residence at Edinburgh University's Institute for
Advanced Studies in Humanities - more on that here. &amp;nbsp;

Iain's plays for the Traverse include Somersaults
(NTS), The Bends (Playwrights Studio/RSAMD), The
Pearlfisher, I was a Beautiful Day, Homers
and Alexander Salamander or The Story of a Teenage
Pyromaniac.

He collaborated on the multimedia opera St Kilda
which was performed in English, French and Gaelic at the Edinburgh
International Festival 2009. In addition, he has written
extensively for radio including The Summer Walking which
was adapted from his play The Pearl Fisher, and was a
co-writer of the Gaelic-language film Seachd: The Inaccessible
Pinnacle, and is the author of three Gaelic-language
novels.

In his chat with Traverse Associate Director...</description><pubDate>Tuesday, April 30, 2013</pubDate></item><item><title>Traverse show announced as key player in 2013 Festival </title><link>http://www.traverse.co.uk//news/traverse-show-announced-as-key-player-in-2013-festival/</link><description>We're delighted that a gem of this year's Traverse Festival
programme will be presented as part of the British Council Edinburgh
Showcase this year, a curated collection of work chosen to
promote the excellence of UK performance internationally. The new
play, I'm With the Band, is a co-production with Wales Millennium Centre, and is
written by Tim Price and directed by Traverse Associate Director
Hamish Pirie. The duo were nominated for an Olivier Award for their
last collaboration Salt, Root and Roe, and are excited
about this new venture, which is set to be an energetic feast of
live music and a witty response to our changing political
landscape.

 The play tells the story of an Englishman, a Northern Irishman, a
Scotsman and a Welshman who walked into a recording studio and
created The Union. Commercially successful and critically
acclaimed, the pioneering Indie-rock band is now on the verge of
breaking-up. When financial disaster strikes and Scottish guitarist
Barry leaves the...</description><pubDate>Thursday, April 25, 2013</pubDate></item><item><title>Quiz Show: best of the press</title><link>http://www.traverse.co.uk//news/quiz-show-best-of-the-press/</link><description>We've had a slew of rave reviews for Rob Drummond's new
psychological thriller Quiz Show, which opened
on Tuesday night. The show contains all the twists and turns you'd
expect from the writer of Bullet Catch - so if you'd rather the
mystery remain unspoilt, we advise you to click
through to The Herald and The List's ★★★★★ reviews and the Evening
News's ,but not the others. But if you hate surprises anyway, click
through to read the reviews in full.&amp;nbsp;

The
Herald&amp;nbsp;★★★★★
 "The sort of surrealist territory which is normally the
preserve of Charlie Brooker's Black&amp;nbsp;
Mirror."

The List&amp;nbsp;★★★★★
"This is the sort of dangerous, questioning and
beautifully-delivered theatre that the Traverse was made to
stage."

Edinburgh Evening
News&amp;nbsp;★★★★
 "Achingly topical and poignant... exciting and
pacey."&amp;nbsp;

The
Guardian&amp;nbsp;★★★★
 "Unsettling… bold… superbly acted."&amp;nbsp;

The
Independent&amp;nbsp;★★★★
 "Bold but sensitive... hugely
poignant."&amp;nbsp;

The
Scotsman&amp;nbsp;★★★★
 "A...</description><pubDate>Friday, April 19, 2013</pubDate></item><item><title>Quiz Show: Top tweets </title><link>http://www.traverse.co.uk//news/quiz-show-top-tweets/</link><description>We've been bowled over by the praise for Rob Drummond's
psychological drama Quiz Show, with a
Twitter feed packed with delighted theatre goers sharing their
thoughts. As the play enters its final week, we thought you might
like to read some of the stand-out tweets so far.

‏@albroon
 most powerful theatre I ever saw, I'm traumatised, proud,
manipulated &amp;amp; hopeful @mumstrokesactor @DrummondRob
@traversetheatre #quizshow

@WorkshopHaze
 Don't think I'll sleep much tonight for thinking about Quiz Show
@traversetheatre Certainly packed a punch. A must-see.
#QuizShow

@callumsmith1234
 "Quiz Show" @traversetheatre is hauntingly, achingly clever and
deceptive - you won't see it coming...

‏@jillian_reilly
 Incredible performances and a thought-provoking script on
#quizshow @traversetheatre Only a week left to catch it. Go!

‏@NTS_Neil
 #QuizShow @traversetheatre amused, troubled and moved me in equal
measure. Kudos to @DrummondRob the peerless Eileen Walsh and
company

‏@SarahMcC1978
 I...</description><pubDate>Thursday, April 18, 2013</pubDate></item><item><title>Cast profile: Jonathan Watson </title><link>http://www.traverse.co.uk//news/cast-profile-jonathan-watson/</link><description>As Quiz Show enters its
final week, we're giving you an insight into the stars of this much
acclaimed psychodrama. Next up, we have actor Jonathan
Watson…&amp;nbsp;

Jonathan has been receiving bags of praise so far for his Quiz
Show role as "everyone's favourite Quizmaster" Daniel Caplin. Read
some of the great reviews here - but
careful, there are a couple of plot spoilers lurking that are best
avoided if you've not seen the show. You can hear more from
Jonathan (and cast member Eileen Walsh) as he chats to Susan Calman
on BBC Radio Scotland's Fred Macauly Show about the twists and
turns you can expect from Quiz Show - give it a listen here. The Daily Record also picked his
brains on what it's like being back at the Traverse after 30 years
in this interview.

Most recently on TV, you might have seen Jonathan co-star in BBC
Four's Bob Servant,
Independent, opposite Brian Cox. He plays Bob's sidekick
Frank the Plank in this adaptation of the popular BBC Radio 4
serial The Bob Servant...</description><pubDate>Tuesday, April 16, 2013</pubDate></item><item><title>Good With People takes New York by storm </title><link>http://www.traverse.co.uk//news/good-with-people-takes-new-york-by-storm/</link><description>Following a sell-out success at the Traverse 2012 Festival,
Good With People
is now taking 59E59 Theaters in New York City by storm.

David Harrower's Good With People
takes us to Helensburgh, west Scotland. A once thriving holiday
resort now home to Britain's nuclear defence programme. Returning
to a place he's been trying to avoid, Evan (Andrew Scott-Ramsay)
finds Helen (Blythe Duff) working at the Seaview Hotel.

The show, featuring as part of the city's Brits off Broadway season, has been
winning rave reviews since it opened last week. It was a hit with
The New York Times, whose
reviewer Ben Brantley called the short two-hander "a beautiful,
deceptive wisp of a play" and described the performances as
"perfection". Equally impressed was Diane Snyder of Time Out New York,
who described the piece as "a brief, sneaky, skillfully
measured duet" that "works its minimalist magic on you
when you least expect it" and awarded it ★★★★. Dmitry Zvonkov
of Stage and Cinema was
bowled over by...</description><pubDate>Friday, April 12, 2013</pubDate></item><item><title>Scratch the Fifty plays selected</title><link>http://www.traverse.co.uk//news/scratch-the-fifty-plays-selected/</link><description>Since winning the last year's playwriting competition, our Traverse Fifty writers have been
very busy indeed.

Their year kicked off with a bumper night of performances, with
all 50 winning
plays performed in one evening. Since then, they've attended a
panel session on writing for radio with the BBC, and two days of
workshops with Zinnie Harris and Traverse writer-under-commission
Tim Price.

This Saturday is your chance to catch work from eight of these
talented writers, in a scratch night of work chosen from all fifty
submissions. Playwrights Stef Smith (Roadkill) and Morna Pearson (The Artist Man and
the Mother Woman) curated the evening, and have chosen the
work based on the variety of theatrical voices displayed. The
selected pieces are listed below - congratulations to the lucky
eight.
 &amp;nbsp;

A Shorter Catechism of the Rudiments of Music - Colin
Clark

Cabbages &amp;amp; Carrots - Giles Connisbee

The Silent Plague - Sophie Good

The Cottage on Cathedral Lane - James Ley

Reality...</description><pubDate>Wednesday, April 10, 2013</pubDate></item><item><title>Tweet to win Quiz Show tickets </title><link>http://www.traverse.co.uk//news/tweet-to-win-quiz-show-tickets/</link><description>Rob Drummond's new Traverse play&amp;nbsp;Quiz Show is set in a quiz show called
FALSE!, where there are no questions- only
statements. To win points, the contestants must spot erroneous
facts in the Quizmaster's statements and shout "false", followed by
the correct statement.

Quizmaster: "Quiz Show runs
at the Traverse until 20 June."
 Contestant: "FALSE! Quiz Show runs at the
Traverse until 20 April."

We're holding our own FALSE! Competition on Twitter, and giving away a pair of tickets to
the first three performances of the show each week until 19 April.
Keep an eye on our Twitter feed&amp;nbsp;each Friday,
where we'll be posting our FALSE! statement with the hashtag
#TraverseQuiz. The first person to tweet the
correct full statement in reply will win a pair of tickets to
Quiz Show. &amp;nbsp;

To find out more about this new psychological drama from Rob
Drummond, click here.

Quiz Show previews at the Traverse on 29
and 30 March, and runs 2 - 20...</description><pubDate>Friday, March 29, 2013</pubDate></item><item><title>Cast profile: Eileen Walsh </title><link>http://www.traverse.co.uk//news/cast-profile-eileen-walsh/</link><description>Ahead of Quiz Show previewing this weekend, we're
giving you the chance to get to know the cast of this new
psychological drama a little better. Introducing Eileen
Walsh… &amp;nbsp; &amp;nbsp;

Eileen will star as lead quiz show contestant Sandra. Her
prolific stage career includes The Entertainer for the
Liverpool Playhouse and Disco Pigs for Bush Theatre, as
well as Splendour at the Traverse in 2000. On our screens,
she's appeared in Eden&amp;nbsp;(for which she won the Tribeca
Film Festival Best Actress Award in 2008), Nicholas
Nickleby and Magdalene Sisters.

You might remember Eileen from the widespread acclaim she
achieved for her role in Disgo Pigs, in which she starred
opposite Cillian Murphy at the Traverse in 1997. In this interview,
she talks to The Herald about the
impact the runaway success of the play had on her life, and the
challenges and rewards of playing Sandra in our new psychological
drama Quiz Show.

We asked Eileen:

What would your specialist...</description><pubDate>Wednesday, March 27, 2013</pubDate></item><item><title>Meet the Traverse Fifty - Traverse Theatre</title><link>http://www.traverse.co.uk//news/meet-the-traverse-fifty/</link><description>Today we are delighted to announce the 50 writers we'll be
working with during 2013, our anniversary year.

The winning writers entered a playwriting competition from the
Traverse for 500 word Plays for Edinburgh in
September 2012, in the Theatre's search for 50 exciting new
theatrical voices to carry the Traverse into its 50th
year, and beyond.&amp;nbsp;

The Traverse received 630 scripts from across the
globe and writers have been selected from
Scotland, Wales, England, Ireland, Croatia and
Australia.&amp;nbsp;

The Traverse Fifty are:

Colin Bell (Edinburgh)

Kate Bowen (Glasgow)

Michael Burnett &amp;amp; Joe McCann (Edinburgh)

Alison Carr (Newcastle upon Tyne)

Colin Clark (Glasgow)

Grace Cleary (Livingston)

Giles Conisbee (Pitlochry)

Robert Dawson Scott (Glasgow)

Jack Dickson (Glasgow)

Sylvia Dow (Linlithgow)

Dave Fargnoli (Edinburgh)

Sophie Good (Edinburgh)

Alan Gordon (Edinburgh)

Caroline Gray (Putney)

James Green (Newark on...</description><pubDate>Tuesday, March 26, 2013</pubDate></item><item><title>Rob Drummond answers your tweets</title><link>http://www.traverse.co.uk//news/rob-drummond-answers-your-tweets/</link><description>For part two of our interview with Rob we handed the
reigns over to you, our Twitter followers.
Here's what you asked him.

@DrummondRob Now for a couple of questions from our
followers…
 @theoksocialclub asks - what is the best/worst thing about
being a playwright?

@traversetheatre @theoksocialclub The best thing is being your
own boss - getting to work on your own terms and speak about what's
important
 @traversetheatre @theoksocialclub to you. The worst thing is being
your own boss, not having anyone to blame but yorself and no one to
moan
 @traversetheatre @theoksocialclub at you to get out of bed because
it's lunchtime. Also, not KNOWING for sure that this job isn't your
last.

@DrummondRob @ImAliForbes would like to know - what's
your all-time favourite quiz show and why?

@traversetheatre @ImAliForbes Good question! I loved family
fortunes because there's so many different characters on each team.
Producers
 @traversetheatre @ImAliForbes of quiz shows...</description><pubDate>Saturday, March 23, 2013</pubDate></item><item><title>We interview Rob Drummond on Twitter </title><link>http://www.traverse.co.uk//news/twitter-interview-with-rob-drummond/</link><description>Writer Rob Drummond is a busy man, with his new play
Quiz Show currently in rehearsals at
the Traverse, his Fringe hit Bullet Catch touring to New York and
London, and a new play for the Royal Conservatoire of Scotland in
the pipeline. Yesterday we managed to pin him down long enough to
ask him some questions via Twitter.&amp;nbsp;

This evening we're chatting to writer Rob Drummond in a
#twinterview ahead of his upcoming Traverse play #QuizShow. You
there @DrummondRob?

@traversetheatre I am indeed.


 First up @DrummondRob - where did the idea for your new
play #QuizShow come from?

 @traversetheatre My dad. He's a huge quiz show fan and and from a
very young age I've always had a quiz show on in the background. He
even
 @traversetheatre appeared on one once. They were a soundtrack to
my youth and his thirst for knowledge must have rubbed off on me
because
 @traversetheatre I'm now obsessed with knowing things. Sometimes
it worries me that there's too much stuff...</description><pubDate>Thursday, March 21, 2013</pubDate></item><item><title>Round 2 of rehearsal insights </title><link>http://www.traverse.co.uk//news/round-2-of-rehearsal-insights/</link><description>Rehearsals for Rob Drummond's new play Quiz Show are in
full swing, with a full run-through for Traverse staff planned
later this week. Assistant Director Emily&amp;nbsp;Reutlinger gives us
an insight into how the characters in the play are developing, and
how the rehearsal process itself bears the traits of a quiz show.
&amp;nbsp;

Round 2:&amp;nbsp;Everybody Plays to Win

Year after year, people apply to be contestants on quiz shows
for a variety of reasons: for the cash prize, for the fame, for the
national recognition of their superior intellect. But no matter
their reason for entering, they all want desperately to win
big.&amp;nbsp;

A very similar thing is happening as we begin to bring this
drama to life. Each of our cast has been busy figuring out what
winning means to their character and just how they're going to play
to win, as the questions get harder and the stakes get higher. Just
as playing along at home is very different from playing for real on
live TV, how a...</description><pubDate>Wednesday, March 20, 2013</pubDate></item><item><title>Writer profile: Rob Drummond </title><link>http://www.traverse.co.uk//news/writer-profile-rob-drummond/</link><description>Over the next few weeks, we'll be introducing you to the cast of
our Spring play Quiz Show. But first, meet the writer of
this brand new psychological drama, Rob Drummond.

Rob is both a playwright and a performer. His work is often
characterised by his total immersion in the subject of a play - for
instance, in Rob Drummond:
Wrestling, for which he trained as a wrestler and pitched
himself against professional wrestlers. He also took the starring
role in his most recent show, 2012's Traverse Festival hit Bullet Catch, for which he won a
Herald Angel Award and a Total Theatre Award. We're hugely excited
to bring you Quiz Show, which will be his first main
stage show, starring a cast including Eileen Walsh and Jonathan
Watson.

We get to know Rob a little better by asking him a couple of
questions that had been playing on our minds.

As a participant in a quiz show, what would you choose as
your specialist subject?

Professional wrestling.

What is your fondest...</description><pubDate>Wednesday, March 20, 2013</pubDate></item><item><title>Imaginate 2013 open for booking </title><link>http://www.traverse.co.uk//news/imaginate-festival-2013-open-for-booking/</link><description>Now in its 24th year, Imaginate Festival is the largest
performing arts festival for children and young people in the UK,
and brings with it thirteen shows from all over the world.

This year's Festival boasts homegrown Scottish shows from Shona
Reppe, with the award-winning The
Curious Scrapbook of Josephine Bean (ages 7+), a beautiful
and intriguing show where slowly, page-by-page, a scrapbook becomes
the window into a secret world as a curious life unfolds before us.
National Theatre of Scotland bring us The Day I Swapped
My Dad For Two Goldfish, a delightful show which is a
little bit about being a sibling and a little bit about being a
genius (6 - 10 years). &amp;nbsp;

Highlights of a jam-packed international programme include a
kids' finger-puppet caper - Wanted: Rabbit is
for 3-5 year olds, and comes to us from the Netherlands. Also from
the Netherlands is Alles (All), a rhythmic, colourful
dance piece for 4-7 year olds that will have you dancing in...</description><pubDate>Monday, March 18, 2013</pubDate></item><item><title>Tune in to 50 years of the Traverse </title><link>http://www.traverse.co.uk//news/tune-in-to-50-years-of-the-traverse/</link><description>This Sunday 17 March, BBC Radio 3 will broadcast the documentary
50 Years of the
Traverse Theatre. Presented by theatre critic Joyce
McMillan, the 45 minute programme will look back on our
risk-taking, tempestuous past, as well as focussing on our exciting
plans for the future.

The programme charts our rise from a tiny first floor room in a
former brothel, where seats were arranged on either side of the
acting space, to our Grassmarket venue, to our current home on
Cambridge Street. We hear anecdotes from the remarkable Traverse
founder Jim Haynes, along with insights from actors Richard Wilson,
Simon Callow and Alan Cumming.

The key part the Traverse Bar has played in the social landscape
of Edinburgh crops up more than once, too. And David Greig chats
about the bar as a meeting and working place, as someone who's
sought out a cosy corner to write on many an occasion.

Tune into BBC Radio
3 on Sunday evening at 7.30pm to take a tour of our fascinating
history....</description><pubDate>Friday, March 15, 2013</pubDate></item><item><title>TravCast: Sabrina Mahfouz</title><link>http://www.traverse.co.uk//news/travcast-sabrina-mahfouz/</link><description>Our latest episode of our monthly writers' podcast
features Sabrina Mahfouz, whose five star sensation Clean&amp;nbsp; is with us this
week for a Play, a Pie and
a Pint. The play&amp;nbsp;started life during the 2012
Traverse Festival Dream Play season,
when Orla O'Loughlin's commissioned her to create a scene from a
play she'd never had the chance to write in just 48
hours.&amp;nbsp;

Performance poet turned playwright Sabrina's path towards
theatre has certainly been less straightforward than most. She
began training as a civil servant after a Masters in International
diplomacy before turning to writing poetry and prose.

Her first piece for theatre, That Boy, was performed at
the Soho Theatre in 2010 and won a Westminster Prize for New
Playwrights.&amp;nbsp;Since then, she's bagged a UK Young Artists
Award 2011 for poetry, an IdeasTap Innovator Award for theatre and
one for poetry.

Sabrina tells Hamish Pirie how poetry and rhyme actively
drives the plot of her plays, and...</description><pubDate>Thursday, March 14, 2013</pubDate></item><item><title>Cast announced for Quiz Show</title><link>http://www.traverse.co.uk//news/quiz-show-cast-announced/</link><description>Quiz Show is our flagship Spring show by
Rob Drummond, a psychological drama interrogating our obsession
with celebrity culture. It started rehearsals last week - and we
are thrilled to announce the full cast.

Eileen Walsh (pictured) will star as lead quiz
show contestant Sandra. Her prolific stage career includes The
Entertainer for the Liverpool Playhouse and Disco
Pigs for Bush Theatre, as well as Splendour at the
Traverse in 2000. On our screens, she's appeared in
Eden&amp;nbsp; (for which she won the Tribeca Film Festival
Best Actress Award in 2008), Nicholas Nickleby and
Magdalene Sisters.

Jonathan Watson will break from some of the
lighter comedic work for which he's known in his role of the
quizmaster. You may recognise him from his starring role in TV's
Only an Excuse, the BBC's New Tricks&amp;nbsp;and
primetime favourites The Bill, Casualty and
Rab C. Nesbitt.

The cast will also include Paul Thomas Hickey,
last seen at our&amp;nbsp;50 Plays for
Edinburgh last...</description><pubDate>Friday, March 8, 2013</pubDate></item><item><title>Rehearsal insights from assistant director</title><link>http://www.traverse.co.uk//news/rehearsal-insights-from-assistant-director/</link><description>After a read through with the full cast and company
earlier this week, rehearsals for our flagship Spring production
Quiz Show have started in earnest. Read
on for some rehearsal insights so far from assistant director Emily
Reutlinger.&amp;nbsp;

Round 1:

Last August, after some persistent loitering in the Traverse box
office, I found myself the lucky winner of a last-minute
cancellation ticket to see Rob Drummond's sell-out hit Bullet Catch. As many of you will
remember, it was a rollercoaster of a journey, layered with as much
insight and emotion as it was thrills and chills. I consider myself
lucky once again to find myself in rehearsals this week with
company of the upcoming Quiz Show.&amp;nbsp;

The first week of rehearsals has been rather like the first
round of a quiz show. We met all the players and started learning a
bit more about our contestants. We got our first glimpse into a
fantastic television studio designed by Andrew Edwards. &amp;nbsp;When
the action...</description><pubDate>Friday, March 1, 2013</pubDate></item><item><title>Quiz Show goes into rehearsals</title><link>http://www.traverse.co.uk//news/quiz-show-goes-into-rehearsals/</link><description>Rehearsals kicked off today for Quiz
Show, a new thriller from Rob Drummond - writer of 2012
Festival Fringe hit from The Arches,&amp;nbsp;Bullet Catch. Rob was joined by the
cast, company and Traverse staff for the first read-through of the
script this morning - the start of a five week process before
opening night on 2 April.

The show is a highlight of our 50th anniversary year,
and promises to enforce our reputation for staging important,
controversial work of exceptional quality. Taking the form of a
surreal quiz show in which the search for truth is paramount, it's
an urgent and timely response to our celebrity-obsessed world. If
you liked Rob's gripping Bullet Catch at the Traverse last
year, this edge of your seat psychological rollercoaster could be
for you.

We'll announce the full cast of the show in our Traverse enews -
sign up on the homepage to be the first to hear.

Quiz Show previews at the Traverse 29 &amp;amp; 30 March
before running 2-20 April. More...</description><pubDate>Wednesday, February 27, 2013</pubDate></item><item><title>Good With People transfers to New York</title><link>http://www.traverse.co.uk//news/good-with-people-transfers-to-new-york/</link><description>
Months of exciting negotiations,
planning and long distance phone calls have come to fruition, as we
can now announce that our 2012 Fringe Festival hit Good With People
by David Harrower will make its New York debut next month as part
of the city's Brits off Broadway
festival at the 59E59 Theaters.&amp;nbsp;

The production follows hot on the heels of David
Greig's Midsummer (a play with
songs), which kicked off our 50th year by playing at the
Clurman Theatre in January.&amp;nbsp;

Good With People started life as a
commission by Oran Mor and Paines Plough at a Play, a Pie and a Pint in
2010. Since then, it featured as part of our Festival 2012
programme, as a double bill with The Letter of Last Resort
by David Greig, where it received rave reviews.

Good With People runs from
27 March - 21 April at 59E59 Theatre B in New York
City.&amp;nbsp;

Click here for tickets.
</description><pubDate>Wednesday, February 20, 2013</pubDate></item><item><title>Fifty photographers for Fifty writers </title><link>http://www.traverse.co.uk//news/fifty-photographers-for-fifty-writers/</link><description>Our friends Writer Pictures
specialise in literary portraits, creating fascinating images of
writers of all kinds. Excited to hear about our Traverse Fifty playwrights project,
they got in touch last September - and from there a very exciting
collaboration was born.

Writer Pictures held a competition to find 50 photographers to
pair up with each of our writers, producing a unique, personal
portrait of each. After receiving almost 100 applications, they've
now announced the chosen photographers - and which Traverse Fifty
writer they'll be paired with.

One of the chosen photographers, Eoin Carey, kicked the project
off with a group shot of the writers (pictured). He said "I
have been wondering which face in the crowd I will be paired with.
I hope I can earn their forgiveness first for putting them on the
spot and blasting them with paper!". Find out how Eoin and the
other photographers get on by keeping an eye on the Writer Pictures
blog throughout the project. And...</description><pubDate>Friday, February 15, 2013</pubDate></item><item><title>manipulate animators win BAFTA </title><link>http://www.traverse.co.uk//news/manipulate-animators-win-bafta/</link><description>
A big congratulations goes to animators Will Anderson and
Ainslie Henderson, who have won a BAFTA for their animation The
Making of Longbird at this year's awards. Presented last week
in Traverse 2 as part of manipulate Visual Theatre
Festival, the film was a graduation project for the talented
duo, who studied at Edinburgh College of Art. In accepting the
award, Will expressed his gratitude to the College - and wished a
happy birthday to Ainslie's mum.&amp;nbsp;

Read more about their win in The Scotsman.&amp;nbsp;
</description><pubDate>Wednesday, February 13, 2013</pubDate></item><item><title>Read all about the Traverse Fifty</title><link>http://www.traverse.co.uk//news/read-all-about-the-traverse-fifty/</link><description>&amp;nbsp;

The 50 talented playwrights who won a place on our
year-long writers scheme have captured the imaginations of
audiences and critics alike. The performance of their&amp;nbsp;
50 Plays for
Edinburgh&amp;nbsp;was received as one of the freshest,
most exciting and memorable theatrical experiences of the spring.
We've picked the best bits of buzz surrounding the Fifty so far, as
well as some hints on what they're up to next. &amp;nbsp;

Artistic Director Orla O'Loughlin chats to BBC Radio 4's Front Row about the origins of the project,
and we hear insights from playwrights Sylvia Dow and Dave Fargnoli.
Switch channels to BBC Radio Scotland to hear&amp;nbsp;writer Colin
Bell talk to Culture Cafe's Clare
English&amp;nbsp;about his own play.

Read the all the Traverse Fifty news highlights, including the 6
o'clock STV News bulletin featuring
playwright Jen Mackie, insights from Traverse Associate Director
Hamish Pirie on STV online and reviews in
the press and on Twitter of the big...</description><pubDate>Monday, February 11, 2013</pubDate></item><item><title>TravCast: Lesley Hart </title><link>http://www.traverse.co.uk//news/travcast-lesley-hart/</link><description>The latest in our series of writers' podcasts features writer
and actor Lesley Hart.

Lesley won Playwright
Studio Scotland's New Playwright Award in 2011, and went on to
write 3 Seconds through the PSS mentoring scheme. Her
first play for radio, Personal Best, was broadcast on BBC
Radio Scotland in June 2010. In 2009 she wrote MIX and
Second Life, two short plays for the Traverse Theatre
which received performed readings as part of the
'Wildfire' series. Lesley's play writing has its roots in
the Traverse Young Writers
Group, to which she belonged 2001-2002.

As a feature writer, Lesley has produced hundreds of articles
for publications including 4 Talent, the Channel 4 website, Product
Magazine and brochures for National Theatre of Scotland. Between
2003 and 2011 Lesley also wrote a weekly op-ed column in the Press
&amp;amp; Journal newspaper.

As an actress, Lesley has worked extensively in theatre, film,
television, and radio drama.

Lesley tells us how she...</description><pubDate>Tuesday, January 29, 2013</pubDate></item><item><title>Traverse exhibition highlights 50 years of risk</title><link>http://www.traverse.co.uk//news/traverse-exhibition-highlights-50-years-of-risk/</link><description>(Image: a press cutting featuring the accidental stabbing of
Colette O'Neil during the Traverse's opening performance of Huis
Clos)&amp;nbsp;

Stabbings, falling-outs and artistic risks pepper our history,
proved by&amp;nbsp;The Traverse Theatre at 50 -&amp;nbsp;an
exhibition compiling a rich array of photos, press cuttings and
programmes from our past 50 years. Edinburgh Libraries' exhibition
captures the spirit of a daring theatre prepared to take chances on
new work and new writers, without being afraid to raise a few
eyebrows along the way.

Commentary by James Hogg charts the tempestuous relationship
between the founding members of the Traverse, the highly publicised
stabbing of a cast member on our opening night, and documents the
history of challenging work for which we're known. From the
production of Lay By in 1971, where pornography was
distributed to the audience during the performance, to a staging of
Futz, which depicted bestiality with a pig and...</description><pubDate>Tuesday, January 22, 2013</pubDate></item><item><title>The Traverse Fifty have landed</title><link>http://www.traverse.co.uk//news/the-traverse-fifty-have-landed/</link><description>Today is the day we've been waiting for since we launched
the&amp;nbsp;Traverse Fifty
playwriting competition in September last year. The excitement in
the theatre was palpable as we welcomed the winners of our
international search for new writing talent into the building this
morning for the launch of the year-long project.

Associate director Hamish Pirie (pictured), who leads the
project, expressed to the group his enjoyment in reading their
winning plays. He said "I've loved having your work inside my
head for the past few months", before introducing artistic
director Orla O'Loughlin. Orla told the fifty writers that running
the project was a key aspiration since starting at the Traverse
last year, and that she was committed to finding the best new work
through the project, and bringing it to the Traverse stage.

All 50 winning plays will be directed by Hamish and Orla, and
presentedat the end of next week. The project has received an
incredible response, and due to...</description><pubDate>Wednesday, January 16, 2013</pubDate></item><item><title>The Traverse Theatre turns 50! </title><link>http://www.traverse.co.uk//news/the-traverse-theatre-turns-50!/</link><description>Welcome to our 50th year. Throughout 2013 we will be celebrating
five decades of programming and producing the best new work from
the UK and around the world with a jam-packed programme of
productions and events.

We're thrilled to mark our birthday by working with the Traverse Fifty writers - 50
bold theatrical voices, handpicked from over 600 applicants of our
playwriting competition to work with
us throughout the year. On 26 Jan we'll be presenting their 50 'Plays for Edinburgh' that won
them their places on the attachment - come along to see this
fizzing talent first hand, and keep an eye on our website for
Traverse Fifty events throughout the year. &amp;nbsp;

To help us celebrate, Edinburgh Libraries have launched the
exhibition Fifty Years of the Traverse Theatre, at Central
Library - you can view it online here. Theatre critics Joyce McMillan and Mark
Fisher did their bit too, organising a walking tour of all the Traverse sites to mark
our official birthday on 2...</description><pubDate>Monday, January 7, 2013</pubDate></item><item><title>TravCast: Douglas Maxwell </title><link>http://www.traverse.co.uk//news/travcast-douglas-maxwell/</link><description>This month, our writers' podcast features one of the highlights
of our newly announced Spring
season&amp;nbsp;-&amp;nbsp;Douglas Maxwell. His play,&amp;nbsp; 
A Respectable Widow Takes to Vulgarity&amp;nbsp;enjoyed a sell-out
run as part of our breakfast&amp;nbsp;Dream Play series, and
is back on the menu this spring as part of our lunchtime play
series A Play, A Pie
and A Pint. &amp;nbsp;&amp;nbsp;

Douglas has been one of the most popular and produced
playwrights in Scotland for over a decade - his work&amp;nbsp;has
included Promises Promises (which transferred to New York under the
title The Promise in 2011, where it earned a Drama Desk Award
Nomination for the actress Joanna Tope); a 10th Anniversary revival
of the award winning Decky Does a Bronco; a version of Wedekind's
Spring Awakening; The Miracle Man for the NTS, and Small Town,
written with DC Jackson and Johnny McKnight.

He has written two musicals: Watertight, with music by Richard
Taylor and The Bookie with music by Aly...</description><pubDate>Sunday, December 23, 2012</pubDate></item><item><title>50 special announcements - Traverse Theatre</title><link>http://www.traverse.co.uk//news/50-special-announcements/</link><description>We're getting ready for a very special announcement next week.
50 announcements, actually.

The Traverse Fifty project
kicks off in January 2013, leading a year of celebrations of our
50th anniversary. On Wednesday 19 December, we'll be
letting everybody know who the 50 winning playwrights are.

Our artistic team are busy going over the final plays. We
received a whopping 630 plays from all over the
world in response to a playwriting competition launched in
September. The prize? To work with the Traverse on attachment for
our 50th anniversary year in 2013.

We put a call out for 500 word Plays for
Edinburgh in a bid to find 50 exciting voices to carry us
into our 50th year as a new writing theatre, and
beyond.

A panel of 12 readers have read 630 scripts, with the
shortlisted plays being read 8 times. That's enough to make your
head spin, and potentially a lot of paper! So we asked that every
play was submitted paperlessly, through an online...</description><pubDate>Friday, December 14, 2012</pubDate></item><item><title>Reviews of The Arthur Conan Doyle Appreciation Society - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/what-the-critics-said-what-you-said!/</link><description>The reviews have started to roll in for The Arthur Conan Doyle
Appreciation Society, and the verdict is that this is one of the
most entertaining shows around this Christmas!

EdinburghGuide.com praised its
"jaw dropping tricks and illusion" (★★★★) and British Theatre Guide.called its
mixture of storytelling, slapstick and magic, "a winning comic
formula."

The Scotsman reckoned it was, "gently
entertaining...beautifully played" (★★★★) while The Arts Desk said it was,
"consistently inventive and wonderfully funny"
(★★★★).&amp;nbsp;



The Stage loved its "comedy, pratfalls and deep
philosophical investigation" calling it "utterly
hilarious" and 
Edinburgh Evening News said it was "masterful...a
story filled with contradictions and comedy, leaving you with more
than a little appreciation for Mr Conan Doyle" (★★★★).

Our opening audience thought so too! Check out this
video with reactions from our first night.&amp;nbsp;

The Arthur
Conan Doyle Appreciation Society...</description><pubDate>Monday, December 10, 2012</pubDate></item><item><title>Rehearsal blog - TraverseTheatre</title><link>http://www.traverse.co.uk//news/gearing-up-for-opening-night-rehearsal-blog/</link><description>As we get set up for opening night of our Christmas show
The Arthur Conan Doyle Appreciation Society, hear what assistant
director Jo Rush has to say about the development of this whirlwind
of physical comedy from Peepolykus.&amp;nbsp;

Even when you're doing a comedy show tech week is not a 'funny'
week. With all the things that need to get done everything takes a
long time and the process can be very stop-start.

All of this can make the jokes and joy of the play suddenly fall
a bit flat or seem smaller somehow in the theatre space. But the
brilliant thing is there is now so much more to play with and a
huge team of people all working to make the play sing. You discover
that seemingly unfunny objects, like a remote control for example,
can acquire a new purpose that brings out the playfulness of the
performers.

As opening night looms closer another lovely thing happens as
the show gradually gathers an audience, first of tech team, then
the theatre's staff, and...</description><pubDate>Thursday, December 6, 2012</pubDate></item><item><title>Christmas arrives with Arthur Conan Doyle - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/christmas-arrives-at-the-traverse/</link><description>
Instead of Santa Claus sneaking down the chimney, we're getting
a festive visit from Peepolykus (John and Javier pictured above)
...and Arthur Conan Doyle. And Sherlock Holmes. And Harry
Houdini!&amp;nbsp;

The excitement is palpable as Traverse Christmas show, The Arthur
Conan Doyle Appreciation Society&amp;nbsp;gears up for it's
World Premiere tonight, Death, life and the afterlife explode onto
the stage in what promises to be one of the funniest shows the
Traverse has staged in years.&amp;nbsp;

 Director Orla O'Loughlin teams up with purveyors
of fine physical comedy, Peepolykus, for
her second show at the Traverse. Check out these production
shots and get a sneak peek of the action to follow.&amp;nbsp;

The Arthur
Conan Doyle Appreciation Society is at the Traverse from
tonight until Saturday 22 December.&amp;nbsp;
</description><pubDate>Thursday, December 6, 2012</pubDate></item><item><title>Rediscover Edinburgh with Conan Doyle </title><link>http://www.traverse.co.uk//news/rediscover-edinburgh-with-conan-doyle/</link><description>Here at the Traverse, Arthur Conan Doyle is set to collide with
his world-famous creation, Sherlock Holmes later this week. Before
he arrives, why not get to know the man himself a little better by
taking a tour of Edinburgh with a series of podcasts led by
celebrated historian and Conan Doyle aficionado Owen Dudley
Edwards.

Provided by our friends at the West Port Book Festival,
the audio tour will whisk you from Arthur's birthplace on Picardy
Place, to the college where he studied, and the bar where he loved
to drink. Listen on, and you'll hear about the place that could
well have been the inspiration for the Hound of The
Baskervilles.

We'll be posting steps of the tour throughout the run of The Arthur
Conan Doyle Appreciation Society, so keep a lookout on our
Twitter feed to find out more about this
fascinating man, and the star of our Christmas show.
&amp;nbsp;&amp;nbsp;

The Arthur
Conan Doyle Appreciation Society previews tonight and
tomorrow, before opening on...</description><pubDate>Tuesday, December 4, 2012</pubDate></item><item><title>Christmas show rehearsal insights from assistant director</title><link>http://www.traverse.co.uk//news/christmas-show-rehearsal-insights-from-assistant-director/</link><description>Image: The cast record a scene for our monthly TravCast.
&amp;nbsp;

As the third week of rehearsals for our Christmas show
The Arthur
Conan Doyle Appreciation Society comes to an end, hear
what assistant director Jo Rush has to say about the development of
this whirlwind of physical comedy from Peepolykus.&amp;nbsp;

Now that the work on the script is finished; scenes streamlined,
problems ironed out, even character names altered(!) we have been
able to start really playing with the stories that are being told
and finding the fun to be had in each scene.

A lot of our rehearsal time has been spent exploring the comic
possibilities of - amongst other things - swivel chairs, extension
cables, phone ringtones, and various forms of facial hair. This
hasn't been just for our own amusement but has really helped us to
identify the physical language of the play, to find which ways of
using costume and props make the most sense in the world of these
characters. A really important...</description><pubDate>Tuesday, November 27, 2012</pubDate></item><item><title>Arthur Conan Doyle podcast - Traverse Theatre, Edinburgh</title><link>http://www.traverse.co.uk//news/its-all-about-the-traverse-christmas-show-in-this-months-writers-podcast/</link><description>Any sign of Sherlock Holmes yet? Here's a sneak peek into the
rehearsal room of The Arthur Conan Doyle Appreciation Society, the
Traverse Theatre's Christmas show.

We've teamed up with masters of physical comedy, Peepolykus, in this
anarchic show about death, life and the afterlife. You can listen to how it's all going,
here,

This month's writers' podcast is a very fun one indeed, and
features not one but two playwrights, direct from our Leith
rehearsal room. Co-authors Steven Canny and
John Nicholson talk to Hamish
Pirie about the challenges and joys of collaborating on
this script and their mutual passion for comedy.

We also hear from director Orla O'Loughlin and
Peepolykus' Javier Marzan who show us that
everyone has a bit of a clown in them and give insight into the
journey the script has been on since rehearsal began two weeks ago.
Plus, we get a sneak extract from the play performed by John
Nicholson, Javier Marzan and Gabriel
Quigley.

The...</description><pubDate>Friday, November 23, 2012</pubDate></item><item><title>Traverse Dance Festival - Traverse Theatre</title><link>http://www.traverse.co.uk//news/traverse-dance-festival-kicks-off-tomorrow/</link><description>The next five days are jam-packed with just about every dance
form around, as the Traverse Dance Festival enters its fourth
year.

SMITHdancetheatre kick the festival off tomorrow with Agnes &amp;amp; Walter:
a little love story, a highly physical, comic and poignant
piece of dance theatre which made its debut at the 2011 Edinburgh
Festival Fringe. Inspired by James Thurber's classic story,The
Secret Life of Walter Mitty, the show features five dancers
aged from 26 - 78 (20 Nov).

Aberdeen's Citymoves Dance Agency teams up with Aberdeen
Performing Arts to present 12 Dancers / Deliberance,
a new work choreographed and performed by Andy Howitt. Set in a
courtroom, the piece explores reasonable doubt and the concept of
guilt (21 Nov).

Red Note Ensemble bring 14th century Persian mystic,
Divan e Hafez's The Intoxicating Rose
Garden to life in a hybrid of music, song, dance and
animation. The piece features music from Sally Beamish and Iranian
sitar player Anoosh...</description><pubDate>Monday, November 19, 2012</pubDate></item><item><title>manipulate Visual Theatre Festival 2013</title><link>http://www.traverse.co.uk//news/manipulate-visual-theatre-festival-2013/</link><description>We're delighted to announce the launch of the 2013
manipulate&amp;nbsp;visual theatre programme. Now in its sixth
year, the festival of innovative theatre, puppetry, animation and
film is now open for booking. &amp;nbsp;

Presented with Puppet Animation
Scotland, this cutting-edge visual theatre festival -
running 4-16 February 2013 - is a truly international affair. Work
is brought to you from practitioners based in Estonia, Finland,
Israel, the Netherlands, Russia, USA, along with home grown artists
from the UK.

The 2013 festival, presented in the Traverse's 50th
year, is the most ambitious yet. Showcasing epic storytelling and
exploring the future of puppetry and animation in the digital age,
the work on offer spans puppetry, object theatre, animation and
film.&amp;nbsp;

Highlights include Yael Rasooly's Papercut- a charming show that transforms
the style of black and white cinema into a low-tech universe of
paper cut-outs and animated cult classic from The...</description><pubDate>Tuesday, November 13, 2012</pubDate></item><item><title>Arthur Conan Doyle visits the Traverse this Christmas</title><link>http://www.traverse.co.uk//news/arthur-conan-doyle-visits-the-traverse-this-christmas/</link><description>
We had our first script read through for the Traverse Christmas
show, the second to be directed by Orla O'Loughlin who heads into
what's sure to be four weeks of very fun rehearsals.

There was lots of laughter and it felt almost as if Arthur Conan
Doyle, Harry Houdini, Sherlock Holmes, Doctor Watson were in the
room as actors Javier,&amp;nbsp;Gabriel and John (pictured above) got
to grips with a script which hurtled from sightings of fairies and
a spectral hounds to Professor Brian Cox and particle physics.

Orla will work with the cast over the month to bring this
anarchic show about life, death and the afterlife to the Traverse
stage in December. We'll be giving you sneak previews of the show
on this blog (subscribe here) and
through our monthly podcast series, so stay
tuned.

The Arthur
Conan Doyle Appreciation Society&amp;nbsp; is at the Traverse
Theatre Thursday 6 - Saturday 22 December. Previews &amp;nbsp;Tuesday 4
&amp;amp; Wednesday 5 December.

&amp;nbsp;
</description><pubDate>Tuesday, November 6, 2012</pubDate></item><item><title>Opening night of Autumn show: what the audience said</title><link>http://www.traverse.co.uk//news/opening-night-of-autumn-show-what-the-audience-said/</link><description>
Orla O'Loughlin's Traverse directorial debut, The Artist Man and the
Mother Woman opened to a packed house last night, and has
already won praise from the audience and critics alike. The crowd
was &amp;nbsp;buzzing with enthusiasm for Morna Pearson's tragicomic
exploration of small town life - here are just a few of their
insights:
 &amp;nbsp;&amp;nbsp;
 "Beautiful, funny and very, very moving."
&amp;nbsp; &amp;nbsp;&amp;nbsp;

"Thoroughly entertainingly dark."

"A great piece of work."

Hear more of what the audience members had to say in this video.

The show has been impressing critics so far too, with early
reviews describing it as&amp;nbsp;"fizzing with dark and twisted
energy"&amp;nbsp;(The Stage) and lauding
Morna's&amp;nbsp;"beautifully crafted script"&amp;nbsp; (The Edinburgh
Reporter). Keep track of the latest reviews as they come in via
our Twitter and Facebook feeds, as well as
on the show page of the Traverse
website.&amp;nbsp;
</description><pubDate>Friday, November 2, 2012</pubDate></item><item><title>Writer's block for the Traverse Fifty? Insider tips from Zinnie Harris</title><link>http://www.traverse.co.uk//news/writers-block-for-the-traverse-fifty-insider-tips-from-zinnie-harris/</link><description>The clock is ticking and there are just two weeks left to go
before our competition to find fifty brilliant voices closes on 14
November.

We're looking for writers to show us your creativity and submit
500 word scripts for a chance be part of the Traverse family during
2013, our 50th anniversary year.

Zinnie Harris and Kieran
Hurley have each written a play to show you where you can
go with the brief. You can read their plays here.

Zinnie, an award-winning playwright who's also a Traverse
associate artist and leads our Playwright's
Toolkit workshops, has a few tips to help you put pen to
paper.

One: Start the story in the right place.
Someone once said to me that a play should be 'curtain up and
someone is in trouble.' I think that's not bad advice here, 500
words is very short so you want the situation to have already begun
before the play starts. Then we, the audience, are catching up and
you'll have hit the ground running.

Two: Make your characters...</description><pubDate>Wednesday, October 31, 2012</pubDate></item><item><title>TravCast: Morna Pearson - The Traverse Writer's Podcast at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/travcast-morna-pearson/</link><description>Our latest writers' podcast features Morna Pearson, whose new
play is set to have its first preview here tomorrow. In a first for
our TravCast series of conversations with playwrights, we've
included interviews with the cast and director Orla O'Loughlin,
along with a sneak preview from the play.&amp;nbsp;

The Artist Man and the
Mother Woman is written in Morna Pearson's trademark
Doric vernacular and set in a small town in northern Scotland. It's
a surreal and darkly comic look at a very unusual mother-son
relationship.&amp;nbsp;

Elgin-born Morna Pearson was awarded the Meyer-Whitworth Prize
for her first Traverse play,&amp;nbsp;Distracted in 2007.
Morna took part in the Traverse's Young Writers' Group - a
long-running engagement programme which also launched the careers
of Sam Holcroft (Cockroach, While You Lie) and Catherine
Grosvenor (Cherry Blossom, One Day All This Will Come To
Nothing).&amp;nbsp;


Listen to Morna in conversation with Traverse associate director
Hamish...</description><pubDate>Monday, October 29, 2012</pubDate></item><item><title>On the road to the stage at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/the-artist-man-and-the-mother-woman-gets-stage-ready/</link><description>
A last chance to get a glimpse into the rehearsal room before
the cast and creative team move to the Traverse later this
week.

Director Orla O'Loughlin and the cast are busy putting the
finishing touches to The Artist Man and the
Mother Woman in our Leith rehearsal room. &amp;nbsp;We snapped
some of the rehearsals before the team leave the space and get the
play stage-ready at the Traverse. Check out the rest of the
pictures over on the Traverse 
tumblr.

The team begin technical rehearsal over the weekend as they gear
up for the show's first preview next week. We'll have some
beautiful production images shortly but before that we'll be
broadcasting a very special TravCast with playwright Morna
Pearson, so keep an eye on our twitter feed or
better still subscribe through 
iTunes or SoundCloud.

The Artist Man and the Mother Woman previews on Tues 30
&amp;amp; Wed 31 October. Click here for
more info and booking.&amp;nbsp;
</description><pubDate>Wednesday, October 24, 2012</pubDate></item><item><title>Traverse Fifty: Writer Pictures </title><link>http://www.traverse.co.uk//news/traverse-fifty-writer-pictures/</link><description>As if things weren't exciting enough, with the search for the Traverse
Fifty well underway (less than a month to get those submissions
in), Writer
Pictures have offered something extra special into the mix to
help us celebrate our 50 writers.

In association with the Traverse Theatre, they are inviting
photographers from across the UK to apply to be part of a unique
photographic project, bringing writers and photographers together
to create some amazing, inspirational portraiture.

They are looking for 50 passionate photographers, from anywhere
in the UK, to match up with each of our Traverse Fifty writers.
Throughout the first 6 months of 2013, the photographers will work
collaboratively with their writer to create a portrait of them.
Photographers will have full creative freedom and the chance to be
exhibited at the Traverse Theatre later in the year.

The copyright on the finished portrait will remain the
photographer's and from 2014, Writer Pictures will...</description><pubDate>Friday, October 19, 2012</pubDate></item><item><title>Rehearsal insights from Orla O'Loughlin</title><link>http://www.traverse.co.uk//news/rehearsal-insights-from-orla-oloughlin/</link><description>Rehearsals for our autumn show, Morna
Pearson's&amp;nbsp;The Artist Man and the
Mother Woman have entered their second week. Find out how
it's going so far with these insights from artistic director Orla
O'Loughlin. &amp;nbsp;

I write this at the beginning of the second week of rehearsals
and I'm fizzing with the theatrical possibilities and practical
challenges the play is throwing up as we make our way through each
of its thirty-odd scenes.

The world Morna creates is such an adventure to dive into to.
The company are completely smitten with the lyricism, wit and
wonder of her words. Morna's particular take on the Doric means her
characters speak with a muscularity and poetry that feels both
ancient and modern at the same time. This is small town territory
at once surreal, and other, yet also terrifyingly familiar. Morna's
work is deeply bound up with her own geographical roots, and she
has a particular interest in the relationship of people to place.
In this piece, as...</description><pubDate>Friday, October 12, 2012</pubDate></item><item><title>Emerging directors workshop</title><link>http://www.traverse.co.uk//news/emerging-directors-workshop/</link><description>Our first Bare Bones directors' workshop last month was so
popular that we're doing it again. Traverse associate director,
Hamish Pirie, leads a workshop that will focus on presenting new
writing in a pressurised environment.

This is part of a&amp;nbsp;series of events we're offering especially for
emerging directors.

We have joined forces with the esteemed&amp;nbsp;JMK Trust&amp;nbsp;so that we can
arm Scotland's next generation of theatre directors with the tools
to support the work of new writers. The JMK Award is the single
most sought-after prize for outstanding young theatre
directors.&amp;nbsp;

This workshop will be led by Traverse associate director, Hamish
Pirie, who recently directed&amp;nbsp;Mark Thomas: Bravo
Figaro!&amp;nbsp;- winner of 2012 Scotsman Fringe First and a
Herald Angel Awards. Hamish also directed&amp;nbsp;Demos&amp;nbsp;and&amp;nbsp;Salt Root and
Roe&amp;nbsp;by Tim Price, nominated for a 2012 Olivier
Award.&amp;nbsp;

Space:&amp;nbsp;Traverse Two
 Start...</description><pubDate>Wednesday, October 10, 2012</pubDate></item><item><title>Rehearsals for The Artist Man and the Mother Woman at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/rehearsals-begin-for-autumn-show/</link><description>Rehearsals for our autumn production got off to a flying start
this morning with the script read through of The Artist Man and the
Mother Woman by Morna Pearson. Four weeks of rehearsals kick off
today where Orla O'Loughlin (pictured second from left) will put
the cast through their paces as they work on the script.

It's an exciting day because this is the first play Orla will
direct for the Traverse since joining as artistic director. The
play began life here as a reading during Orla's first project for
the Traverse, the Write Here new writing festival earlier this
year. Since then, Morna Pearson has been working on drafts of the
script, which will make its way to the Traverse stage in
November.&amp;nbsp;

Written in Morna's trademark Doric vernacular and set in a small
town in northern Scotland,The Artist Man and the
Mother Woman&amp;nbsp;&amp;nbsp;is surreal and darkly comic look
at a very unusual mother-son relationship.

Actors Garry Collins and Anne
Lacey play the...</description><pubDate>Monday, October 1, 2012</pubDate></item><item><title>News of Plays for Edinburgh at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/whats-a-play-for-edinburgh/</link><description>
Playwrights Zinnie Harris and Kieran Hurley have been enlisted
to help us find 50 brilliant writers to work with us during our
50th anniversary next year. They responded to our call for Plays
for Edinburgh by each writing a 500-word theatrical jewel as an
example of where you can go with the brief.&amp;nbsp;

Read&amp;nbsp;Skylight&amp;nbsp;by Zinnie
Harris and&amp;nbsp;Beleaguered
man, Holyrood press room&amp;nbsp;by Kieran Hurley to get your
imagination going.

We've also teamed up with 
&amp;nbsp;The Scotsman&amp;nbsp;who have published the plays&amp;nbsp;to
help us to find&amp;nbsp;50 brilliant writers of any age, from
anywhere.&amp;nbsp;

Full details and FAQs about the project here.&amp;nbsp;

The
Traverse Fifty project is generously supported by City of
Edinburgh Council.

&amp;nbsp;
</description><pubDate>Thursday, September 27, 2012</pubDate></item><item><title>Traverse begins search for 50 writers</title><link>http://www.traverse.co.uk//news/traverse-begins-search-for-50-writers/</link><description>2013 is a big year for us. In celebration of our 50th
anniversary, we are searching for 50 writers from Scotland and
beyond for a year-long attachment.
 &amp;nbsp;
 We're looking for 500-word&amp;nbsp;plays
for&amp;nbsp;Edinburgh.&amp;nbsp;

If selected, writers will be invited to take part in a series of
tailor-made writing events throughout 2013, including panel
discussions, workshops and one-on-one dramaturgy.

 The year-long attachment, which begins in January 2013, will
culminate in a New Writing Festival featuring some of the work
developed by&amp;nbsp;the Traverse Fifty&amp;nbsp;throughout the year. At
the end of the process we will offer three seed commissions.

Who we want
 &amp;nbsp;

50 brilliant writers of any age, from anywhere. You must have
had no more than two professional productions staged.


 How to apply

&amp;nbsp;

Submit a 500-word play for Edinburgh.

The play can be about anything you like, for example: a real or
imagined event, an experience of, or tribute to,...</description><pubDate>Tuesday, September 25, 2012</pubDate></item><item><title>TravCast: Pamela Carter</title><link>http://www.traverse.co.uk//news/travcast-pamela-carter/</link><description>The latest in our series of writers' podcasts is now live, this
month featuring playwright, director and dramaturg, Pamela
Carter.

Earlier this year we announced our continued partnership with
Edinburgh University's Institute for Advanced Studies in Humanities
in a Creative Fellowship to be based within the University. Pamela
was chosen as a fellow for 2012 - 2013&amp;nbsp; along with Iain Finlay
McLeod. They'll be working on Traverse Theatre commissions at the
University, exploring the theme, 'difficult dialogues'.

&amp;nbsp;Pamela will be in residence at IASH from September to
December 2012. Her work for the Traverse includesWhat We Knowwhich
she wrote and directed. Pamela also worked as dramaturg on our
co-production with Untitled Projects last year, The Salon Project.
Other recent work includes Meat (part of PEEP, Natural
Shocks); Skane (Hampstead Theatre Downstairs) and Wild
Life&amp;nbsp; (Magnetic North).

Visual art, biology and finance have all been themes in...</description><pubDate>Monday, September 24, 2012</pubDate></item><item><title>Platform 18 New Directions Award </title><link>http://www.traverse.co.uk//news/platform-18-new-directions-award/</link><description>Kieran Hurley's Beats was one of the most talked about shows of
the 2012 Traverse Festival season. It first exploded onto the
Traverse's stage earlier this year as a winner of the Arches'
groundbreaking Platform 18 Award, which has just opened the
submissions process for 2013.


The strength of the Arches Award&amp;nbsp;for Directors (Platform 18
award), in its near decade-long existence,&amp;nbsp; has been
not just its diversity but its willingness to take risks." The
Herald


Other Platform 18 winners have quickly established themselves as
some of the most exciting theatre makers on the scene. Along with
Kieran Hurley, alumni include Nic Green, Rob Drummond, Cora Bissett
and Davey Anderson.&amp;nbsp;

Winners are offered the unique opportunity to stage a
fully-funded production at the Arches and here at the Traverse,
with the full artistic and practical support of both venues.

The Arches Platform 18 Award sets artists off in exciting new
directions and we're delighted...</description><pubDate>Friday, September 14, 2012</pubDate></item><item><title>Free workshop with ThickSkin at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/free-workshop-with-thickskin/</link><description>We are teaming up with ThickSkin to offer an exciting
opportunity for professional artists to work with director Neil
Bettles.

The workshop will explore ThickSkin's approach to creating
theatre, covering devising techniques and physicality. Participants
will gain insight into the company's rehearsal process and create
their own material in response to creative tasks. Participants can
expect a fast and physical workshop and should be prepared to move
and work as a team to generate material quickly through guided
tasks.

 'A ThickSkin approach to making a play is a highly choreographed
one. Not just in the detailed physical sequences that feature, but
also in the way a story moves from beginning to end. As a director
I rely heavily on instinct and being able to spot potential magic
through playing. I like to play. I look for connections and ways to
immerse our audiences in a cinematic experience. I want the
performers to constantly discover new things within set...</description><pubDate>Wednesday, September 12, 2012</pubDate></item><item><title>Human cloning debate reignites at the Traverse Theatre, Edinburgh</title><link>http://www.traverse.co.uk//news/human-cloning-debate-reignites-at-the-traverse/</link><description>Ethical dilemmas are set to be explored at the Traverse next
week as we reconnect with the Genomics Forum to explore the debate
around human cloning with a performance reading of A
Number by Cary Churchill.

The reading is directed by Traverse writer&amp;nbsp;Peter Arnott,
the Forum's playwright-in-residence. Peter is also currently under
commission to the Traverse to write a genomics-related play.

After the reading, we'll be presenting a panel discussion lead
by Forum Visiting Research Fellow, Dr Adele Langlois, who will be
joined by Professor Keith Campbell, a key member of the team
responsible for cloning Dolly the Sheep, and Professor Sarah
Cunningham-Burley, from the University of Edinburgh's Centre for
Population Health Studies.

A
Number was written at a time when there was tremendous
excitement and uncertainty about the impact advances in life
sciences - such as cloning - might have upon society.

Dr Adele Langlois says, "It will be very interesting to see...</description><pubDate>Friday, September 7, 2012</pubDate></item><item><title>Traverse Autumn 2012 Season</title><link>http://www.traverse.co.uk//news/traverse-autumn-programme-is-live/</link><description>Once again the Festival has been and gone and this can mean only
one thing; The Traverse has a brand new season of work, featuring
some exhilarating work from some the finest artistic talents
around.

We have two flagship Traverse productions this Autumn, both
directed by Traverse artistic director Orla O'Loughlin.

The first is from the pen one of Scotland's most distinctive
voices, Morna Pearson, the chilling but hilarious The Artist Man
and the Mother Woman. Set in a small town in the North
East of Scotland, the relationship between a mother and son
unravels as our hero makes a bid to cut the apron strings he's
clung on to for far too long. This is a pitch black tale with a
big, big heart.

Our second world premiere is an anarchic Christmas show. The
Arthur Conan Doyle Appreciation Society by Steven Canny
and John Nicholson is a collaboration between the Traverse and the
acclaimed Peepolykus. Life, death and the afterlife are all
addressed in a way which will...</description><pubDate>Tuesday, September 4, 2012</pubDate></item><item><title>Dream Plays Wins Herald Angel</title><link>http://www.traverse.co.uk//news/herald-angel-for-dream-plays/</link><description>
Dream Plays has been awarded a Herald Angel, bringing the total
number of awards won by productions in this year's Traverse
festival programme to 16. Orla O'Loughlin said, "I am hugely
thankful for this herald angel. It is the perfect end to my first
festival as artistic director at the Traverse. Devising, curating
and directing dream plays has been a labour of love. It is a
project that has twelve writers at its heart and one of which I am
extremely proud. I would like to thank each and every writer for
rising to the challenge and allowing David and I to bring their
dreams to the stage."
 &amp;nbsp;
 She added, "I'd also like to thanks the loyal and inspirational
traverse audience, who sold the season out, some of whom came to
all 12 performances. Without their appetite for risk and innovation
we would be lost."
 &amp;nbsp;
 This latest award brings to five the total number of Herald's
Angels received by works and artists in the Traverse festival
programme.
</description><pubDate>Saturday, September 1, 2012</pubDate></item><item><title>Bumper Awards Harvest at the Traverse</title><link>http://www.traverse.co.uk//news/bumper-awards-harvest-at-the-traverse/</link><description>It's been another bumper Fringe here at the Traverse with
 productions from our programme landing a total of 15 awards at
recent
 ceremonies. In all, shows at the Traverse were awarded five
Scotsman Fringe
 First Awards as well as a Spirit of the Fringe Award. In addition,
three
 productions were presented with Bank of Scotland Herald Angel
Awards while Andy
 Manley.

This is an increase on last year's total and "is a
fantastic
 validation of our programme," said Orla O'Loughlin our Artistic
Director. She
 added that "curating it was a labour of love."

As well as the Fringe Firsts and Herald Angels, a number
of
 productions were recognised at The Stage and Total Theatre awards
with two
 receiving gongs in each case.

In addition we are delighted to announce the wonderful news that
Midsummer, which received the Carol Tambor Best of Edinburgh Award
in 2009, will travel to New York&amp;nbsp;next year&amp;nbsp;and premiere
in that city in&amp;nbsp;January as part of the...</description><pubDate>Wednesday, August 29, 2012</pubDate></item><item><title>Final Dream Play writer is Andrew Greig </title><link>http://www.traverse.co.uk//news/final-dream-play-writer-is-andrew-greig/</link><description>
Our breakfast theatre series, Dream Plays (Scenes From a
Play I'll Never Write)&amp;nbsp;is coming to an end. The twelfth
and final writer will be Andrew Greig, with Found at
Sea.&amp;nbsp;

Andrew Greig is a much-loved Scottish writer who has published
19 books of poetry, non-fiction, and novels. All concern strange,
scary and exhilarating pursuits and challenges - Himalayan
expeditions, flying, fishing, golf, being Scottish, surviving major
illness and getting older.

Found at Sea&amp;nbsp;is a long narrative poem arising from
an open-dinghy voyage to overnight on the abandoned island of Cava,
which playwright David Greig seeks to shift from a mental to a
physical staging.

&amp;nbsp;

Find out more about&amp;nbsp;Dream Plays (Scenes From a Play
I'll Never Write)&amp;nbsp;here.

For up-to-the-minute info, search #DreamPlays on&amp;nbsp;Twitter.&amp;nbsp;

&amp;nbsp;
</description><pubDate>Saturday, August 25, 2012</pubDate></item><item><title>New York Premiere for Midsummer</title><link>http://www.traverse.co.uk//news/new-york-premiere-for-midsummer/</link><description>The Carol Tambor Theatrical Foundation has announced that
Midsummer (A Play With Songs) is one of the winners of this year's
The Carol Tambor Best of Edinburgh Award 2012.&amp;nbsp; One of our
biggest hits of recent years,&amp;nbsp;Midsummer
will run at&amp;nbsp;the Clurman Theatre from its New York premiere on
January 9&amp;nbsp;until February 3, 2013.

Carol Tambor said "I am excited to have an opportunity to
finally bringMidsummer by David Greig to New York. This is a play
with music by Gordon McIntyre, which I wanted to bring to New York
since I saw it in Edinburgh in 2009. They could not accept the
award then because of their schedule. For three years, I could
never get out of my mind. &amp;nbsp;Now, I can finally award this play
the prize it most definitely deserves"


Midsummer began life as a small scale production which premiered at
the Traverse in 2008. The production then toured Scotland and
played at the Cork Midsummer Festival in Ireland before a hugely
successful...</description><pubDate>Friday, August 24, 2012</pubDate></item><item><title>Tobias Manderson-Galvin is Saturday's Dream Play writer</title><link>http://www.traverse.co.uk//news/newly-commissioned-tobias-manderson-galvin-is-saturdays-dream-play-writer/</link><description>
We're even more excited than usual to announce our next Dream
Play writer. Tobias Manderson-Galvin was handpicked to work on
Dream Plays (Scenes From a Play I'll Never Write) after
co-curator David Greig saw his Fringe show The Economist. David was bowled over by the
show, which is written in response to the media's portrayal of
Norwegian mass murderer Anders Breivik.&amp;nbsp;

Tobias Manderson-Galvin is a playwright, performer and poet from
Melbourne, Australia.&amp;nbsp;He also co-founded Australia's MKA:
Theatre of New Writing in 2010, where he holds the post of Artistic
Director.&amp;nbsp;

Find out more about&amp;nbsp;Dream Plays (Scenes From a Play
I'll Never Write)&amp;nbsp;here.

For up-to-the-minute info, search #DreamPlays on&amp;nbsp;Twitter.&amp;nbsp;

&amp;nbsp;
</description><pubDate>Friday, August 24, 2012</pubDate></item><item><title>Friday's Dream Play writer is Douglas Maxwell</title><link>http://www.traverse.co.uk//news/fridays-dream-play-writer-is-douglas-maxwell/</link><description>We're delighted to announce Douglas Maxwell as the next writer
in our series of Dream Plays (Scenes From a Play I'll Never
Write) this Thursday 24 August. We quizzed him on his
play,&amp;nbsp;A Respectable Widow Takes to
Vulgarity.&amp;nbsp;

What was your reaction to the brief the Traverse gave
you?

My reaction to the brief was that it wouldn't work for me. The
way I write is to avoid blank commissions as best I can. It doesn't
always happen that way, but ideally I'll write the entire play
first and then shop it around, rather than take a commission for an
idea that's unformed and unwritten. I've found this back-to-front
method is great for the play but terrible for the finances. Most
days I'm writing for free and gambling that at some point someone
will like it enough to pay me to develop and stage it. But on the
upside it means that if I have a play I want to write then, chances
are, I'll just go ahead and write it. So there is no great idea in
my notebook I can't get...</description><pubDate>Thursday, August 23, 2012</pubDate></item><item><title>Gerda Stevenson is third Dream Play writer of the week</title><link>http://www.traverse.co.uk//news/gerda-stevenson-is-third-dream-play-writer-of-the-week/</link><description>We're delighted to announce Gerda Stevenson as Thursday's writer
for Dream Plays (Scenes From a
Play I'll Never Write). We chatted to her about her
thoughts on her play, Skeleton Wumman. &amp;nbsp;&amp;nbsp;

What was your reaction to the brief the Traverse gave
you?

When David Greig phoned me to ask if I'd be interested in coming
up with something for Dream Plays (Scenes From a
Play I'll Never Write)&amp;nbsp; I thought the brief might
match an Inuit story: the protagonist is a skeleton, she's under
the sea, and she can't speak! &amp;nbsp;

Where did the idea for your Dream Play come
from?&amp;nbsp;

I've long been fascinated by Skeleton Woman,who appears
in Native American stories. I first came across her in Pinkola
Estes' book, Women Who Run With Wolves, which led me to
another, similar Inuit tale, The Magic Drum. Sedna, the
Inuit sea goddess is another inspiration.&amp;nbsp;

How did this idea grow/develop?

Folk tales reveal little detail in terms of character. The
question...</description><pubDate>Wednesday, August 22, 2012</pubDate></item><item><title>Lynda Radley next up in Dream Play series</title><link>http://www.traverse.co.uk//news/lynda-radley-next-up-in-dream-play-series/</link><description>Lynda Radley has been announced as the next writer in our
Festival series (for Wednesday 22), Dream Plays (Scenes From a Play I'll Never
Write). We grilled her to find out more about her play,
National Health.

Where did the idea for your Dream Play come
from?&amp;nbsp;

I just started to write without worrying where it was going.
This was refreshing for me as I'm normally a bit of a planner and
like to spend a lot of time thinking and researching before
starting a play. With this play I was into it before I knew what it
was.&amp;nbsp;

How did this idea grow/develop?

At first the scenes I was writing seemed disconnected but I just
trusted in the process and eventually a theme emerged as well as
something to tie to scenes together.&amp;nbsp;

What was writing the piece like?&amp;nbsp;

It was a process of improvisation followed by editing and
refinement. Having been so open at the beginning I found the
rewrites more difficult than normal, as I wasn't sure what I...</description><pubDate>Tuesday, August 21, 2012</pubDate></item><item><title>Jonny McKnight kicks off the second week of Dream Plays  </title><link>http://www.traverse.co.uk//news/jonny-mcknight-kicks-off-the-second-week-of-dream-plays/</link><description>We can reveal that the first writer of the week, kicking off on
Tuesday 21 in our breakfast series Dream Plays (Scenes From a
Play I'll Never Write) will be Jonny McKnight with
Room 7. We picked his brains on his thoughts about his
Dream Play.

What was your reaction to the brief the Traverse gave
you?

I had the same reaction I always have - terror, inability and
sat staring at a screen for quite some time overthinking the
subject matter. &amp;nbsp;I started to get myself in quite a pickle
thinking about 'The Play I'd Never Write' because surely if I was
writing it then it would be a play that I would write. &amp;nbsp;This
is how my brain works at times. &amp;nbsp;It can be pretty frustrating.
&amp;nbsp;Then I decided to pick a subject matter that I would
generally never write about.&amp;nbsp;

Where did the idea for your Dream Play come
from?&amp;nbsp;

The idea grew from the idea of being inducted into a new work
place and thinking about how that initial contact with your boss...</description><pubDate>Monday, August 20, 2012</pubDate></item><item><title>Week 2 at the Traverse Theatre Festival</title><link>http://www.traverse.co.uk//news/week-2-more-awards!/</link><description>As week two of the Edinburgh Festival Fringe draws to a close,
the second round of Scotsman Fringe First Awards and Bank of
Scotland Herald Angels are announced - and we've very pleased to
say that four of them are ours.&amp;nbsp;

Daniel Kitson won the critics over with his, "jokey, intimate,
pasionate and minutely perceptive" solo performance,&amp;nbsp; 
As of 1.52pm GMT on Friday April 27th 2012, This Show Has No
Title.&amp;nbsp; which picked up a Fringe First.

Hannah Price and Emma Callander are on to a winner with this
year's hugely successful Theatre Uncut, a series of 10 minute
dramas each Monday at the Traverse Festival, reflecting the state
of the economy.&amp;nbsp;

Along with a Fringe First, Theatre Uncut also won a
Bank of Scotland Herald Angel award on Saturday, while actor and
director Andy Manley was awarded the 
Herald Archangel award for sustained contribution to
Edinburgh's Festivals. Andy is a leader in children's theatre and
his work has been seen worldwide....</description><pubDate>Monday, August 20, 2012</pubDate></item><item><title>Final Dream Play writer of the week is Janice Galloway</title><link>http://www.traverse.co.uk//news/final-dream-play-writer-of-the-week-is-janice-galloway/</link><description>The final writer of the week in Dream Plays (Scenes From a Play I'll Never
Write) is Janice Galloway. Her play sex and drugs and
rock and roll&amp;nbsp;has been brewing in her head for years, and
the time has finally come for it to see daylight.

What was your reaction to the brief the Traverse gave
you?

My reaction to the brief from the Traverse was my usual first
reaction to anything nice - anxiety I've got it all wrong. After a
chat with David Greig, I was fine. I sent him too much stuff and he
did the hard work of choosing.&amp;nbsp;

Where did the idea for your Dream Play come
from?

It was a story I'd been honing for ages that had never quite
seemed finished. The story itself came from a fascination for
wards, hostels, prisons, too-small houses - enclosed interiors
which can be overpowering and unexpected in what they allow to
happen between the lines.

How did this idea grow/develop?

I had to get over the temptation to write something surreal or
based on...</description><pubDate>Saturday, August 18, 2012</pubDate></item><item><title>Wake up this Saturday to a Dream Play by Alan Wilkins</title><link>http://www.traverse.co.uk//news/wake-up-this-saturday-to-a-dream-play-by-alan-wilkins/</link><description>We are delighted to announce Alan Wilkins as Saturday's writer
for Dream Plays (Scenes From a Play I'll Never
Write). He's given us a great insight into his play My
Loneliness is Killing Me, so read on to find out more.

What was your reaction to the brief the Traverse gave
you?

What was the brief? A dream play? Scenes from a play I'll never
write? It sounded elliptical, open to exploration, not what I
normally do and possibly quite exposed. So intriguing.

Where did the idea for your Dream Play come
from?

From a dream. That seemed the only honest starting point.
Unfortunately, waiting for the right dream when you need one is a
frustrating process.Apart from that, I can't answer, as that would
mean trying to work out where the dream came from. Which I never
generally want to do.

How did this idea grow/develop?

The next stage in development was a coffee with David Greig, who
was to direct. He told me he really didn't want it to be a play.
So... A dream...</description><pubDate>Friday, August 17, 2012</pubDate></item><item><title>Nicola McCartney is Friday's Dream Play Writer</title><link>http://www.traverse.co.uk//news/nicola-mccartney-is-fridays-dream-play-writer/</link><description>
We're excited to announce that Nicola McCartney will be the next
writer to feature in Dream Plays (Scenes From a Play I'll Never
Write).

Her play,&amp;nbsp;Rachel's House, will be showing at 9am
tomorrow (Friday 17). Wake yourself up with a brakfast roll and a
hot drink (included in the ticket price, no less) and start your
day with some cutting-edge theatre.

Find out more about&amp;nbsp;Dream Plays (Scenes From a Play
I'll Never Write)&amp;nbsp;here.

For up-to-the-minute info, search #DreamPlays on&amp;nbsp;Twitter.&amp;nbsp;

&amp;nbsp;
</description><pubDate>Thursday, August 16, 2012</pubDate></item><item><title>Five star sensations </title><link>http://www.traverse.co.uk//news/five-star-sensations/</link><description>The bright young things at Lyric Hammersmith lead the way in a
slew of Traverse shows winning five star reviews this Festival with
Morning. This unflinching, "stylishly
visceral" (Time Out)&amp;nbsp;coming of age play from Simon
Stephens is one of the most talked about shows of the Festival.
Read the review here.&amp;nbsp;

Hot on their heels is Caroline Horton's musical romp with a
sharp edge, Mess. The Stage's 2010 Best Solo Performer
Award winner has struck gold again, with a play
that&amp;nbsp;"doesn't just break down the fourth wall, it tramples
it to dust". Read the full Three Weeks review here. &amp;nbsp;

And No More Shall We Part, the
tear-jerking exploration of an elderly couple in crisis has had
critics weeping into their hankies- in a good way. Fest Magazine called it "unforgettably
beautiful" in their five star review. &amp;nbsp; &amp;nbsp;&amp;nbsp;

Rob Drummond's&amp;nbsp;"extraordinary" (Edinburgh Spotlight)&amp;nbsp;Bullet
Catch&amp;nbsp; has been a sure fire smash hit. Taking...</description><pubDate>Wednesday, August 15, 2012</pubDate></item><item><title>Sabrina Mahfouz is third writer for Dream Plays </title><link>http://www.traverse.co.uk//news/sabrina-mahfouz-is-third-writer-for-dream-plays/</link><description>
Sabrina Mahfouz, the performance poet spotted by Traverse
Artistic Director Orla O'Loughlin just a week ago, will be the
third featured writer in Dream Plays (Scenes From a Play I'll Never
Write).&amp;nbsp;

Sabrina was commissioned
after Orla saw her show One Hour Only at the Underbelly
last week. She described the show as being "like a little electric
shock from London", and we can't wait for Sabrina's play
Clean tomorrow morning (Thursday 16).

Find out more about Dream Plays (Scenes From a Play I'll
Never Write) here.

For up-to-the-minute info, search #DreamPlays on Twitter.&amp;nbsp;
</description><pubDate>Wednesday, August 15, 2012</pubDate></item><item><title>David Ireland announced as first Dream Play writer </title><link>http://www.traverse.co.uk//news/david-ireland-announced-as-first-dream-play-writer/</link><description>
Our highly anticipated series of Dream Plays (Scenes From a Play I'll Never
Write)&amp;nbsp;has almost arrived. The programme will kick
off bright and early tomorrow morning - Tuesday 14 - at 9am,
with&amp;nbsp;Most Favoured&amp;nbsp;written by David Ireland.

David is our featured writer in this week's TravCast. It's your chance to get a fascinating
insight into his approach to playwriting.

So whether you're an early riser or still going from the night
before, grab your ticket (there's a breakfast roll thrown in) and
head over. &amp;nbsp;&amp;nbsp;

Find out more about&amp;nbsp;Dream Plays (Scenes From a Play
I'll Never Write)&amp;nbsp;here.

For up-to-the-minute info, search #DreamPlays on&amp;nbsp;Twitter.&amp;nbsp;

&amp;nbsp;
</description><pubDate>Tuesday, August 14, 2012</pubDate></item><item><title>The Scotsman Fringe First Award</title><link>http://www.traverse.co.uk//news/1-week,-4-awards/</link><description>

 We're delighted to announce that our programme has picked up a
slew of prestigious awards over the past 24 hours! Yesterday Mark
Thomas (Bravo Figaro!) and
Belgian company Ontroerend Goed (All That is Wrong) won The
Scotsman Fringe First award, and today there are two Herald Angels
for Mark Thomas and Rob Drummond's breathtaking show Bullet
Catch.

Congratulations are also in order for playwrights and long-time
Traverse collaborators, Peter Arnott, who picked up a Fringe First
yesterday for&amp;nbsp;Why do You Stand There in the Rain? and
to Catherine Grosnevor for&amp;nbsp;Continuous Growth.

The Fringe First awards - given to outstanding new writing - are
announced weekly throughout the festival, with the following round
of awardees revealed on Friday.&amp;nbsp;

Herald Angels are revealed each Saturday of the festival.

Well done to our winners!
</description><pubDate>Tuesday, August 14, 2012</pubDate></item><item><title>Sue Glover to be next Dream Play writer </title><link>http://www.traverse.co.uk//news/sue-glover-to-be-next-dream-play-writer/</link><description>Our second writer for&amp;nbsp;Dream Plays (Scenes From A Play
I'll Never Write)&amp;nbsp;will be Sue Glover. We quizzed Sue on
her Dream Play -&amp;nbsp; Catterline - showing on
Wednesday 15,&amp;nbsp; to find out more.&amp;nbsp;

&amp;nbsp;

What was your reaction to the brief the Traverse gave
you?

Intrigue.

&amp;nbsp;

Where did the idea for your Dream Play come
from?

The idea grew from writing Artist Unknown for Citizen's TAG
theatre. I wrote about three artists from different eras, one of
whom was Eardley. Also, I love the East Coast - all of it - and the
coast and village of Catterline made a lasting impression.

&amp;nbsp;

How did this idea grow/develop?

Maddeningly, erratically. It keeps changing shape, but I THINK I
now know what shape it should be.

&amp;nbsp;

What was writing the piece like?

As above! But it was great to explore the characters again,
because it is a good while since I first planned to write about
them.

&amp;nbsp;

What were you interested in...</description><pubDate>Tuesday, August 14, 2012</pubDate></item><item><title>New recruit for Dream Plays at the Traverse Theatre</title><link>http://www.traverse.co.uk//news/latest-recruit-for-dream-plays/</link><description>Meet our latest recruit for Dream Plays, performance poet
Sabrina Mahfouz. Sabrina is the first of two writers, commissioned
during the Fringe, to take part in our Festival Dream Play.

Over the next week, Sabrina will write a short script which will
be directed by Orla O'Loughlin as part of the Traverse's Festival
season of breakfast theatre.&amp;nbsp;

Orla commissioned Sabrina today after seeing her sensational
second play,&amp;nbsp;One Hour
Only at the Underbelly.

Sabrina
Mahfouz will join Sue Glover, David Ireland, Douglas Maxwell,
Nicola McCartney, Johnny McKnight, Lynda Radley, Gerda Stevenson,
Alan Wilkins and poet and novelists Janice Galloway and Andrew
Greig, who will all write short scripts to be directed by Orla
O'Loughlin and David Greig.&amp;nbsp;

A second writer will be enlisted during the Fringe by David
Greig, who we'll be announcing shortly.

Each play in the season will be performed once during the twelve
day run of&amp;nbsp;Dream
Plays (Scenes From A...</description><pubDate>Tuesday, August 7, 2012</pubDate></item><item><title>TravCast: Gary McNair on the Traverse Writer's Podcast</title><link>http://www.traverse.co.uk//news/travcast-gary-mcnair/</link><description>
We're delighted that Gary McNair's show Born to
Run features in our 2012 Festival programme. It's especially
exciting with the recent announcement that actress Shauna
MacDonald (pictured) is set to star in this intense,
physical show about one woman's attempt to escape death by pushing
her body to new limits.

 Gary is a writer, performer and director based in Glasgow. His one
man show about the failings of our financial system,
Crunch, went on to achieve critical acclaim at the 2011
Forest Fringe. Gary was one of the artistic collaborators on
The Jean Jacques Rousseau Show, A Play, A Pie and A Pint's
250th production. Other work includes: Count Me In
(National Theatre of Scotland) and How Soon Is Nigh? (The
Arches Platform 18 Award).

Listen
to Gary McNair talk to Hamish Pirie on the July issue of the
Traverse writer's podcast.&amp;nbsp;

Born to Run 21-26
August at the Traverse.&amp;nbsp;
</description><pubDate>Tuesday, July 31, 2012</pubDate></item><item><title>12 Months, 16 Writers &amp; Many More to Come</title><link>http://www.traverse.co.uk//news/12-months,-16-writers-many-more-to-come/</link><description>
Our TravCast podcast
project turns one next month! Over the past year we've talked to
some of the best people in the business and really put the art of
playwriting under the microscope, challenging and celebrating what
it means to be a writer and theatre maker today.

So far we've featured 
Lynda Radley; David
Greig; Zinnie
Harris; Tim
Couch; 
Peter Arnott; 
Alan Wilkins; 
Linda McClean; Jo
Clifford; 
Catherine Grosvener; Clare
Duffy; 
Lewis Hetherington; Tim
Price; 
Kieran Hurley; Sue
Glover&amp;nbsp;and Gary
McNair.&amp;nbsp;

Over the course of our 2012 Fringe season we're giving you a
chance to get insight into what makes the writers in our programme
tick, in a weekly edition of TravCast. The line-up for August
includes Caroline Horton (Mess), Ontroerend Goed's Alexander
Devriendt and Joeri Smet (All That Is Wrong),
David Ireland (Dream
Plays) and Rob Drummond (Bullet Catch).

Catch up on previous episodes of TravCast on SoundCloud.
</description><pubDate>Friday, July 20, 2012</pubDate></item><item><title>TravCast: Sue Glover</title><link>http://www.traverse.co.uk//news/travcast-sue-glover/</link><description>The June episode of TravCast finds
Hamish Pirie engaged in a tête à tête with one of Scotland's most
renowned playwrights, Sue Glover.

She is one of ten writers commissioned to create a piece of work
for the Dream
Plays (Scenes From a Play I'll Never Write) series of
breakfast plays as part of this year's festival programme at the
Traverse.

Sue has written extensively for various media, including radio
and television and here
she describes the special challenges and opportunities presented by
writing for the stage.&amp;nbsp;

Sue Glover's plays have been produced worldwide. Her 1991 play
Bondagers for the Traverse Theatre Company has been hailed
as a modern Scottish Classic.&amp;nbsp;She regards Guy Pierre Couleau's
translations and productions of Asservies and La
Chaise de Paille as highlights of her work for
theatre.&amp;nbsp;Other plays include The Bubble Boy, The
Seal Wife, Artist Unknown, Sacred Hearts,
Shetland Saga.

Listen to the June episode of our writers'...</description><pubDate>Wednesday, July 4, 2012</pubDate></item><item><title>Traverse Reveals 2012 Festival Programme</title><link>http://www.traverse.co.uk//news/traverse-reveals-2012-festival-programme/</link><description>We're delighted to reveal our Festival programme for 2012, a
season of world-class drama that dares to bare its soul, look you
in the eye and tell you its story. Brochures are available today
from the Traverse, and will be hitting doorsteps in the next few
days. In the meantime, you can 
browse through it on Issuu,

Highlights include Morning, a dark coming of age story by
Simon Stephens, featuring the Lyric Young Company and All That Is
Wrong from Belgian agent provocateurs Ontroerend
Goed.

 We are delighted to welcome Dearbhla Molloy and Bill Paterson in
Tom Holloway's timely and deeply moving And No
More Shall We Part, and verbatim theatre gets a twist as
the world view of thirty 8-10 year olds forms Monkey Bars,
presented by Chris Goode and the Unicorn Theatre.

 We are joined once again by the inimitable 
Daniel Kitson and excited to welcome to the Traverse the
award-winning comedian and political activist Mark
Thomas. Both come to us with bespoke festival...</description><pubDate>Thursday, June 21, 2012</pubDate></item><item><title>Festival 2012 on sale for Theatre Club Members</title><link>http://www.traverse.co.uk//news/festival-2012-on-sale-for-theatre-club-members/</link><description>
We're having an exclusive preview of our 2012 Festival programme
tonight for our Theatre Club Members.

There is still time to become a member and benefit from
pre-sales of Festival tickets, plus an introduction to the season
by our Executive Producer, Linda Crooks and Associate Director,
Hamish Pirie.

We will reveal our 2012 Festival programme next week on Thursday
31 May, where you'll be able to see what we have in store for you
this August at the Traverse.

Tickets will go on general sale from 10am that day.&amp;nbsp;

More details on how to join the Traverse Theatre Club, here.&amp;nbsp;

(Available to Saltire 1, Grassmarket and Lawnmarket members)
</description><pubDate>Thursday, May 24, 2012</pubDate></item><item><title>CATS Nominees Announced </title><link>http://www.traverse.co.uk//news/cats-nominees-announced/</link><description>Nominations for the prestigious Critics Awards for Theatre in
Scotland are in today, and we're delighted to say that The
Salon Project has been nominated under two
categories: Best Production and Best Technical
Presentation.&amp;nbsp;


Astonishing...one of the most complete immersive theatre
experiences ever conceived. **** The Scotsman


Our co-production with
Untitled Projects took place at the Traverse over two weeks in
October 2011, where the Theatre's main house was transformed into a
simulation of an opulent Parisian salon. The audience
played a central role in the event each evening, and were
dressed in period costume, specially sourced by the production team
from the wardrobe departments of some of Scotland's most iconic
theatres.


A quite extraordinary theatrical experiment...genius. **** 
The Daily Telegraph


The Salon
Project&amp;nbsp;was devised by
then&amp;nbsp;Traverse Artist in Residence&amp;nbsp;Stewart
Laing, a Tony award winning designer and director...</description><pubDate>Thursday, May 10, 2012</pubDate></item><item><title>Imaginate lands at the Traverse</title><link>http://www.traverse.co.uk//news/imaginate-lands-at-the-traverse/</link><description>Catch the very best of theatre for children and young people
at&amp;nbsp;this year's Bank of Scotland Imaginate Festival, which
kicks off from Monday 7 May at its Traverse home, with shows to see
all over the city.

Here at the Traverse, we've got the meaty but moving&amp;nbsp; 
Titus&amp;nbsp;for the over 10s, coming-of-age tale&amp;nbsp;

Mikey and Addie&amp;nbsp;(pictured above) for the over 8s
and the&amp;nbsp;eponymously named&amp;nbsp; 
Traverse, a high-octane dance treat&amp;nbsp;for the over
6s (check out the video&amp;nbsp; 
here).

If your kids are a bit younger, check out the magical adaptation
of Ted Prior's&amp;nbsp;
Grug.&amp;nbsp;

This year Imaginate sees the Festival celebrate its 23rd year
with fourteen world-class productions by companies from Australia,
England, France, Italy, Netherlands, Sweden, Switzerland and of
course &amp;nbsp;some brilliant new work made right here in
Scotland.

Over 10,000 children and young people, their friends and
families will be offered the opportunity to...</description><pubDate>Thursday, May 3, 2012</pubDate></item><item><title>Write Here, a look back</title><link>http://www.traverse.co.uk//news/write-here,-a-look-back/</link><description>Our festival celebrating the Traverse's work with new
writing closed last night, with an exhilarating, one-off
performance of Tim Price's verbatim play, Demos,
which saw our new Associate Director Hamish Pirie make his directorial
debut.

No mean feat considering the audience of 100 all had parts in the play, reading
sections of script and collectively acting out proceedings of an
Occupy General Assembly at St Pauls Cathedral in London on 13
December, 2011, and a Q&amp;amp;A session with the Prime Minister in
the House of Commons a day later.



One of the most exciting new writing festivals Edinburgh has seen
in years." The List


The closing event summed up what the&amp;nbsp;Write
Here&amp;nbsp;festival was all about - getting audiences,
writers and artists in on the action, and really involving everyone
who attended the festival in the events.

Curated by Orla O'Loughlin (pictured at a script
workshop, above)&amp;nbsp;the festival ran for&amp;nbsp;nine days.&amp;nbsp;We
saw 100...</description><pubDate>Monday, April 30, 2012</pubDate></item><item><title>Roadkill win at Olivier Awards</title><link>http://www.traverse.co.uk//news/roadkill-win-at-olivier-awards/</link><description>
We're delighted that Roadkill has won the Outstanding
Achievement in an Affiliate Theatre Olivier Award.

Conceived and directed by Cora Bissett, who is currently
touring&amp;nbsp;Midsummer [a play with
songs] in Austraila,&amp;nbsp;and with text by Stef Smith,
Roadkill
began life at the Traverse Festival during the 2010 Edinburgh
Festival Fringe, where it picked up a slew of awards including the
Amnesty Freedom of Expression Award, a
Scotsman Fringe First, a Herald
Angel, the Holden Street Theatres Award,
a Total Theatre Award, The Stage Award for Acting
Excellence and the Edinburgh International
Festival Award.&amp;nbsp;

Based on real experiences, Roadkill told a brutal story about
sex trafficking today, sharing the harrowing details of a young
woman trapped in a living nightmare.

The most recent production of the show began at Theatre Royal
Stratford East, which produced the London season in association
with the Barbican and the Traverse Theatre.

&amp;nbsp;

&amp;nbsp;
</description><pubDate>Tuesday, April 24, 2012</pubDate></item><item><title>What sort of government is best?</title><link>http://www.traverse.co.uk//news/what-sort-of-government-is-best/</link><description>We're excited to release more details about Demos, our
immersive live theatre event where you, the audience, will play a
key role.

Inspired by the global Occupy Movement, Demos is a
verbatim play which presents two examples of working democracy. To
create the play, author Tim Price used recorded
minutes from a General Assembly for Occupy London Stock Exchange
camp at St Paul's Cathedral on 13 December 2011, and the Hansard
record for Prime Minister's questions the next day.

With over 50 parts, audience participants will play a key role
in the performance, with each audience member reading out a small
number of marked-out lines from the script of Demos, which
is available to read and download here.

This is a one-off production, and the closing event of our
Write Here festival.
The Demos event will be followed by a post-show discussion
with Saskia Kent, a supporter of Occupy London
Stock Exchange.&amp;nbsp;

We're welcoming director Hamish Pirie to the
Traverse...</description><pubDate>Friday, April 20, 2012</pubDate></item><item><title>EIFF at the Traverse</title><link>http://www.traverse.co.uk//news/eiff-at-the-traverse/</link><description>The home of innovative and exciting cinema is making the
Traverse the home of their Talent Lab and new Delegate
Centre.

The Talent Lab offers up-and-coming filmmakers a fantastic
opportunity to learn from the world's key film industry players
through a series of group and one-on-one discussions and networking
events.

All Talent Lab events will take place at the Traverse and we'll
also play host to a full programme of Industry events, information
services and networking opportunities for all filmmakers, delegates
and press.

Chris Fujiwara, EIFF Artistic Director is excited about showcasing
this year's new talent at the Traverse, and Our Executive
Producer/Joint CEO Linda Crooks is too: "The Traverse is
thrilled to be in a position to host the EIFF 2012 Delegate
Centre.&amp;nbsp; It has been a long held ambition to work more closely
with our Cultural Quarter neighbours. EIFF is a perfect and timely
fit.&amp;nbsp;&amp;nbsp; Both the Traverse and EIFF have a lot more...</description><pubDate>Tuesday, April 10, 2012</pubDate></item><item><title>For Once opens at the Traverse</title><link>http://www.traverse.co.uk//news/for-once-author-on-travcast/</link><description>For
Once has just begun a two week run at the Traverse. Its
author, Tim Price, is our guest for April on the Traverse
Writer's podcast.

Tim is one of the most commissioned writers in the UK right now,
and it's a very busy April from the Welsh writer. Along with
For Once, he will be staging Demos at the
Traverse this April, and elsewhere his Wikileaks-inspired The
Radicalisation of Bradley Manning&amp;nbsp; opens as the
highlight of National Theatre Wales current season.

He talks to Jennifer Williams about political activism as a deep
source of inspiration, and the relationship between writing for the
stage and the screen. Listen
here.

For Once is Tim's first full-length play. It's a funny
and touching story of a life in a picture-postcard town. Through a
series of beautifully crafted monologues, the play cuts to the
heart of a family, and a community, turned upside down by
unimaginable tragedy.

Tim's play marks the first chance for Scottish audiences to
sample...</description><pubDate>Thursday, April 5, 2012</pubDate></item><item><title>Write Here festival announced</title><link>http://www.traverse.co.uk//news/write-here-festival-announced/</link><description>Next month the Traverse will host Write Here, our
festival in celebration of new writing. We'll give you a peek
behind the scenes to the work of the Traverse literary team and
playwrights in a series of readings, talks, workshops and
performance. The full festival brochure is available to read on
Issuu,&amp;nbsp;here.

Last minute programme changes mean that the performance times of
plays by&amp;nbsp;Peter Arnott, Rob Drummond, Uma Rajah and Dave Fargnoli have changed
from those advertised. Check&amp;nbsp;our What's On page for the most up-to-date info.
&amp;nbsp;

 There are open views into rehearsals and readings of work in
progress by Peter Arnott (The Fly Room), Morna
Pearson (The Artist Man and the
Mother Woman) and Rob Drummond (Too
Far Gone), along with a presentation of new talent in
Traverse Introducing, with plays from the Helene Cloete (Dragon Mountain),
Jamie Laing (This Little Piggy),
Nichola Daunton (RSVP), Rhiannon Grist (Dog Days), Uma Rajah (The Dubai
Papers) and...</description><pubDate>Wednesday, April 4, 2012</pubDate></item><item><title>One Day in Spring - A Play, A Pie and A Pint at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/new-work-from-the-arab-world-one-day-in-spring/</link><description>From April 24, a brand new season of A Play, A Pie and A
Pint kicks off at the Traverse. The six-week season of new
work from the Arab world is curated by David Greig, who says,

"I'm thrilled about&amp;nbsp;One Day in Spring.
It's absolutely the right time for us to hear young voices from the
Arab world. These plays are hot off the press and they reflect a
world view which is far away from 24 hour rolling news and CNN.
It's the inside story of a generation who are trying to shape their
world in the streets and squares of Damascus and Cairo and
Tunis."

The six lunchtime shows are written by artists living through
turbulent political times in Lebanon, Morocco and Syria. The
penultimate show at the Traverse,&amp;nbsp;One Day in
Spring&amp;nbsp;directed by David Greig, will be an hour long
collection of 24 different scenes by 24 young writers from cities
all over the Middle East.

The shows will come direct from Glasgow's Òran Mór, where
a&amp;nbsp;weekly Arabian Night event will...</description><pubDate>Tuesday, April 3, 2012</pubDate></item><item><title>TravCast: Lewis Hetherington</title><link>http://www.traverse.co.uk//news/travcast-lewis-hetherington/</link><description>
2401
Objects co-writer Lewis Hetherington is our guest in
March's episode of TravCast, the Traverse Writer's podcast.He talks
to Jennifer Williams about collaboration, his love of immersive
theatre and about the joy of writing within creative
constraints.&amp;nbsp;Listen 
here.

Lewis is an associate artist of Analogue. Before the Fringe
First award-winning&amp;nbsp;2401 Objects,&amp;nbsp; he worked on
their first two shows,&amp;nbsp;Mile End and Beachy
Head. He is Associate Artist with Imaginate, where he has been
exploring the creative possibilities of making theatre with and for
young deaf blind adults.

2401
Objects is at the Traverse 30 &amp;amp; 31 March, Visit the
show page, here.

&amp;nbsp;
</description><pubDate>Wednesday, March 7, 2012</pubDate></item><item><title>Translating the genome into a play</title><link>http://www.traverse.co.uk//news/translating-the-genome-into-a-play/</link><description>We're very excited to announce a brand new Traverse
commission. Peter Arnott, who has been our Playwright in Residence
at the ESRC Genomics Forum for the past year, will continue to
explore the relationship between art and science, and write a
Genomics related play for the Traverse.

During his residency, Peter worked alongside Forum
members, experts and Fellows as he explored the social aspects of
genomics, which cover areas as diverse as designer babies,
synthetic blood, DNA profiling, identity politics, plant and animal
genetics, personalised medicine, stem cell research and garage
biology. He has been blogging furiously about his discoveries, and
sharing his findings and ideas at monthly discussions in the
Traverse bar,&amp;nbsp;

Steve Yearly, Director of the ESRC Genomics Forum, said,
"He entered into our world of engagement with the life sciences
with an infectious enthusiasm and inspired new audiences to
consider both the science itself and its...</description><pubDate>Thursday, February 23, 2012</pubDate></item><item><title>manipulate Visual Theatre Festival 2012</title><link>http://www.traverse.co.uk//news/manipulate-visual-theatre-festival-2012/</link><description>Visual Theatre can be anything from puppetry and physical
theatre to animation and film, and we're delighted to be hosting
some of the best examples of these art forms at the
manipulate festival next week.

Now entering its fifth year, manipulate is a one-off
event in the Scottish cultural calendar, when the &amp;nbsp;Traverse
becomes home to some of the most avant-garde visual theatre,
puppetry, object and physical theatre to be seen anywhere in the
UK, and a film programme which offers a snapshot of the best
international contemporary animation.

Performance

The performance programme begins with Hamletmachine by Compagnie Sans
Soucis (France). Dynamic video projection and highly theatrical
object manipulation capture the tensions and urgency of Henrik
Müller's play (Monday 30 Jan, returns only).

Invisible Thread (England) present their first ever production,
Plucked…A True Fairy
Tale, which uses object theatre, live video-feed painting,
puppetry and animation to...</description><pubDate>Wednesday, January 25, 2012</pubDate></item><item><title>Reading of strangers, babies in Istanbul</title><link>http://www.traverse.co.uk//news/reading-of-strangers,-babies-in-istanbul/</link><description>
Linda McLean is in Istanbul today for a reading of her play
strangers, babies, which was first produced by the
Traverse in 2007.

Part of the New Text New Theatre project, the reading
of&amp;nbsp;strangers, babies will be at Muammer Karaca
Theatre in a translation into Turkish by Seçil Honeywill, directed
by&amp;nbsp;Artistic Director of VeDŞT Theatre Company, Yeşim Özsoy
Gülan.

Linda will also take part in an discussion after the
reading.&amp;nbsp;

strangers, babies (Yabancılar, bebekler) at
the&amp;nbsp;Muammer Karaca Theatre

Wednesday 25 January (8.30pm)

Translated by Seçil Honeywill
Directed by Yeşim Özsoy Gülan
Performers: Esra Bezen Bilgin, M.Ergün Işıldar, Deniz Özmen, Batur
Belirdi, Mark Levitas, Tansu Biçer.

www.galataperform.com
www.vedigerseyler.com

Picture: Gillian Kearney (May) Gavin Marshall (Roy) in the
Traverse Theatre Company production of strangers, babies by Linda
McLean. Photo by Douglas Robertson&amp;nbsp;



</description><pubDate>Wednesday, January 25, 2012</pubDate></item><item><title>Midsummer Australian Tour 2012</title><link>http://www.traverse.co.uk//news/midsummer-australian-tour-2012/</link><description>One of our best-loved and most travelled works of recent years
is on the road again.

 Midsummer will begin
an Australian tour as the international highlight of Sydney Theatre
Company's 2012 Main Stage season, before taking in dates Canberra,
Wollongong and Brisbane (25 Jan-29 April).

 We are staging two special performances of the show before this to
help raise funds for the tour, on Thursday 19 and Friday 20
January.

 One of the Traverse's biggest hits of recent years, Midsummer
[a play with songs] is the story of Bob and Helena and a great
lost weekend of bridge burning, car chases, wedding bust ups,
bondage miscalculations, midnight trysts and horrible hungover self
loathing misery.

 Midsummer began life as the pilot project of the Traverse
Theatre's experimental strand of work, Traverse Too. David Greig
and Gordon McIntyre were asked to create a piece of work using a
small budget and very short rehearsal time, which allowed them to
take greater risks....</description><pubDate>Tuesday, January 24, 2012</pubDate></item><item><title>IASH / Traverse Creative Fellowship </title><link>http://www.traverse.co.uk//news/iash-traverse-creative-fellowship/</link><description>We are delighted to announce our continued partnership with
Edinburgh University's Institute for Advanced Studies in Humanities
in a Creative Fellowship to be based within the University.

 IASH and the Traverse will commission a play on or inspired by any
aspect of the proposed topic, Difficult
Dialogues.&amp;nbsp;

Based at IASH, the tenure of the Fellowship will be between
three and nine months, working towards a complete play which will
be submitted to the Traverse at the end of 2012. The playwright
will have access to dramaturgical support from the Traverse's
Literary Department and will play a part in the artistic life of
the theatre.

Jo Clifford and Linda McLean were the IASH / Traverse Creative
Fellows for 2011, and focused on the life and work of David Hume
during their Fellowships. Jo Clifford's resulting play, The Tree of
Knowledge, was staged at the Traverse as our 2011
Christmas production.

Visit our Job
vacancies page for more information on how to...</description><pubDate>Tuesday, January 10, 2012</pubDate></item><item><title>Spring Summer Brochure out now</title><link>http://www.traverse.co.uk//news/spring-summer-brochure-out-now/</link><description>
Our Spring Summer brochure has just arrived at the Theatre.
Copies should be hitting doorsteps in the next few days. In the
meantime, you can pick one up from the Traverse, 
take a look at an online version on Issuu, or download a PDF
version.&amp;nbsp;

Inside, you'll find a fantastic programme that covers six
jam-packed months. There is visual theatre, drama from top Irish
companies, work exploring multi-cultural Britain today, revivals of
Fringe hits, six weeks of lunchtime theatre, the best new work for
children, and more besides.&amp;nbsp;

We'll also be announcing details of our mini-festival of
readings, writing events and worshops, Write Here, in
the next few months.

So for now, happy reading!
</description><pubDate>Friday, January 6, 2012</pubDate></item><item><title>Christmas Opening Hours</title><link>http://www.traverse.co.uk//news/christmas-opening-times/</link><description>
The Traverse Theatre box office and Bar Café will be closed from
2.30pm on 24 December to 10am on Wednesday 4 January.&amp;nbsp;

 Tickets can still be booked online.

The administration office will be closed from 23 December to 4
January.&amp;nbsp;

TBC,&amp;nbsp;our ground-floor coffee shop
will be open after Christmas from Wednesday 28 &amp;nbsp;- Fri 30
Deccember, 8am - 2.30pm, then closed until 4 January.

We'd like to wish you all a very merry Christmas, and thank you
for your support in 2011.
</description><pubDate>Wednesday, December 21, 2011</pubDate></item><item><title>Traverse Spring Season Announced</title><link>http://www.traverse.co.uk//news/spring-season-announced/</link><description>We're delighted to announce our Spring Season 2012, six
jam-packed months featuring the best new drama, writing events and
dance.

We also welcome our new Artistic Director, Orla O'Loughlin, to
the Traverse in January. One of Orla's first projects at the
Traverse will be curating Write Here, a mini-festival of
readings, workshops and writing events which will run in April.
We'll be announcing details later on in the season, so keep an eye
out.

The Manipulate
Visual Theatre Festival is back in early February, with some of
the most avant-garde physical theatre, puppetry and animation to be
seen anywhere in the UK this year. Highlights include work from
France, Germany, Austria, England, Czech Republic and Russia.

Other highlights from the season include Grid Iron's Barflies&amp;nbsp;
(pictured), drawn from the stories of Charles Bukowski and set in
Edinburgh's Barony Bar, and the return of Catherine Wheel's White, one of the
most universally-loved shows at the 2010...</description><pubDate>Wednesday, December 21, 2011</pubDate></item><item><title>Autumn Festival at the Traverse Theatre Edinburgh.</title><link>http://www.traverse.co.uk//news/traverse-autumn-festival/</link><description>The Traverse Autumn Festival kicks off from 18 November. For the
third year, we'll be presenting the very best in live performance,
from the worlds of dance, visual theatre, contemporary classical
music, and puppetry.

For ten days, the Traverse will become a hub for artists of all
kinds, and for&amp;nbsp;audiences who want to immerse themselves in the
power of live performance.&amp;nbsp;

From BalletLORENT's transformation of the Traverse Bar into a
hazy club, and Cryptic's fusion of music, film and dance, to the
latest object theatre from Shona Reppe Puppets, there is something
for everyone at this years festival.&amp;nbsp;

Also back is the Traverse Wassail, a party for artists,
audiences and all Traverse&amp;nbsp;friends to celebrate the Autumn
Festival in style.&amp;nbsp;An invitation to the party is free with any
ticket to the festival.

Traverse Autumn Festival 2011

Friday 18 &amp;amp; Saturday 19 November (8pm onwards)
 balletLORENTla nuit intime

Sunday 20 November...</description><pubDate>Tuesday, November 22, 2011</pubDate></item><item><title>La Nuit Intime get in: Bar closing early</title><link>http://www.traverse.co.uk//news/la-nuit-intime-get-in-bar-closing-early/</link><description>The Traverse Bar closes early today as BalletLORENT begin to
transform it for la nuit intime

Bar opening hours will be 11.00am to 2.30pm on Thursday 17,
Friday 18 and Saturday 19 November.&amp;nbsp;

Both evenings will see the Bar transformed into a hazy club as
ten dancers weave their way about the space in a performance that
combines pole dancing, flaminco, ballet, and an array of exotic
burlesque costumes!

You'll be free to move about the venue, get a drink from the
bar, chat to friends or just sit back and enjoy the
specticle.&amp;nbsp;

The show opened in The Arches in Glasgow earlier this week -
some people liked it so much they're coming to see it again at the
Traverse. You can get some of the audience feedback on this great
video montage.&amp;nbsp;

la nuit intime is the opening show of the Traverse
Autumn Festival, ten days of genre-defying, collaborative art
featuring dance, film, contemporary classical music and object
theatre.&amp;nbsp;

Check out the...</description><pubDate>Thursday, November 17, 2011</pubDate></item><item><title>Artisan Roast Coffee at the Traverse Theatre - Edinburgh</title><link>http://www.traverse.co.uk//news/delicious-news!/</link><description>
The finest cup of coffee in town will soon be available right
here at the Traverse. A new coffee kiosk, run by the Traverse Bar
Café is set to open next week, serving coffee by Edinburgh's top
coffee roasters, Artisan
Roast.

TheTBC&amp;nbsp;kiosk opens on Monday 25 July, just inside the
theatre's foyer, and will be serving gourmet coffee, pastries,
scones and rolls with, outdoor seating also available.&amp;nbsp;

Watch out for special promo vouchers around the building this
week.

TBC Kiosk open Mon - Fri 8am - 2.30pm

&amp;nbsp;

&amp;nbsp;
</description><pubDate>Wednesday, October 26, 2011</pubDate></item><item><title>A Play, A Pie and A Pint at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/a-play,-a-pie-and-a-pint/</link><description>A Play, A Pie and A Pint enters its fifth season at the
Traverse. From tomorrow, you'll be able to enjoy the very best new
writing from Scotland and the UK, with a delicious pie and a drink
from our bar.

The season kicks off with three great new shows from Paines
Plough and Òran Mór, a medley of some of the most exciting new
writers north and south of the border.

Dig by Katie
Douglas follows the story of Tommy, the self-made business man.
With the economic crash, Tommy's world begins to crumble, but his
wife still wants a new hoover and a two week trip to Butlins. To
what lengths will he go to stay on top? (11 - 15 Oct).

David Watson's 
You Cannot Go Forward From Where You Are Right Now scans
the radio airwaves, using contemporary music and beautifully poetic
writing to create an uniquely aural experience. (18 - 22 Oct).

Our third play of the season, Leo Butler's Eternal Source of
Light has been changed to a new play by the same author
-&amp;nbsp;Juicy
Fruits:...</description><pubDate>Monday, October 10, 2011</pubDate></item><item><title>The Salon Project moves in.</title><link>http://www.traverse.co.uk//news/salon-ready/</link><description>
Preparations for one of the most ambitious projects the
Traverse Theatre has ever hosted are well underway.

The seats have been removed from Traverse One, and the
theatre's main house now has a roof in place, as the space is
transformed into an opulent room from 19th century
Paris.

Backstage, there are hundreds of Victoriana corsets,
shoes, coat-tails, waistcoats, bow-ties, dresses, sashes, scarves,
gloves, trousers that have been sourced from wardrobe departments
of Scottish Opera, Citizens Theatre and more.&amp;nbsp;

You can keep an eye on what's going backstage on over on
The Salon Project's 
Tumblr, &amp;nbsp;

And be sure to check out director and designer Stewart
Laing's&amp;nbsp; blog,
where he regularly posts incredible images that are inspiring
him.

Booking for this one-off experience closes on Friday 30
September. For more info and booking, click&amp;nbsp;
here.&amp;nbsp;

&amp;nbsp;
</description><pubDate>Monday, October 10, 2011</pubDate></item><item><title>West Port Book Festival at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/west-port-book-festival/</link><description>
The West Port Book Festival kicks off this week from 13 - 16
Oct. Four days of free literary events around the city of
Edinburgh, for people with a passion for books, bookshops and fun.
Over the festival, local shops will be transformed into intimate
venues with a variety of great events.

We'll be hosting two as part of this: An Open Mic
night for all literary forms on 13 October, and TraVerses Playwrights as
Poets night on 16 October, where some of our top playwrights
reveal their secret poems.

Hope to see you there!

West Port Book Festival, 13 - 16 October

www.westportbookfestival.org
</description><pubDate>Monday, October 10, 2011</pubDate></item><item><title>Peter’s Natural Selection at the Traverse Theatre Edinburgh.</title><link>http://www.traverse.co.uk//news/peter’s-natural-selection/</link><description>Peter
Arnott has been blogging furiously about his findings at the
Genomics Forum, holding open discussion groups at the Traverse, and
working on ideas for a Genomics related play.&amp;nbsp; He also took
part last week in our Writers podcast, TravCast.

Peter has been our Playwright in Residence at the Genomics Forum
for six months now, working alongside some of the leading
researchers in the field of Genomics. - which covers areas as
diverse as DNA profiling, identity politics, plant and animal
genetics, personalised medicine, stem cell research and synthetic
biology.

In his latest blog entries, Peter shares thoughts on 
synthetic biology, nanotechnology and the manipulation of natural
substances, source material from 
Genomics texts and of the 
notions about the play he's going to write for the Traverse.
We're intrigued!

Alongside his regular blog on his residency, Peter&amp;nbsp; holds
open discussion groups in our Bar Café at the end of each month, Translating
the...</description><pubDate>Monday, September 12, 2011</pubDate></item><item><title>Traverse Autumn Season 2011 at the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/traverse-autumn-season-2011/</link><description>Welcome to the Traverse Theatre's Autumn Season 2011

From September until the end of the year, we will be celebrating
the best, the most innovative and the truly alternative from within
the world of theatre-making in Scotland.

Our two main shows this season offer revolutionary examinations
of past events and personalities.

The
Salon Project will without doubt be something you've never
experienced before - totally immersive, entertaining and thought
provoking, it transports the audience into the world of the 19th
century French Salon.

And in Jo Clifford's extraordinary and hilarious new play,The Tree of
Knowledge, David Hume and Adam Smith awaken in modern day
Edinburgh. This show is refreshingly different, offering a real

In addition, there is award-winning work for young people,
lunchtime theatre, cabaret, theatre that takes place totally in the
dark as well as our Autumn Festival which celebrates dance,
puppetry and alternative performance. As ever, there...</description><pubDate>Tuesday, September 6, 2011</pubDate></item><item><title>New Artistic Director for the Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/new-artistic-director-for-the-traverse/</link><description>We're delighted to announce that Orla
O'Loughlin of Pentabus Theatre willl join
us as Artistic Director in January 2012.

 Orla O'Loughlin is currently Artistic Director of Pentabus
Theatre. Orla joined the company in 2007, moving from the Royal
Court Theatre where she was the International Associate. Directing
work includes: For Once (Hampstead Theatre Studio);
Tales of the Country, Origins (Pleasance/Theatre Severn);
Relatively Speaking, Blithe Spirit, Black Comedy
(Watermill Theatre); Kebab (Dublin International
Festival/Royal Court Theatre); How Much is your Iron?
(Young Vic); The Hound of the Baskervilles (West Yorkshire
Playhouse in association with Peepolykus - National Tour and West
End); Shuffle (National Youth Theatre); Underland (Clearwell
Caves); Small Talk: Big Picture (BBC World Service/ICA/
Royal Court Theatre); A Dulditch Angel (Eastern Angles -
National Tour) and The Fire Raisers, sob stories, Refrain
(BAC). Orla was winner of the James Menzies...</description><pubDate>Friday, August 26, 2011</pubDate></item><item><title>Talking in Verse: David Greig on TravCast</title><link>http://www.traverse.co.uk//news/talking-in-verse-travcast-with-david-greig/</link><description>
In the third week of Festival interviews, 
David Greig talks about his plays The Monster in the
Hall and The Strange Undoing
of Prudencia Hart.

We've just recorded the final Festival TravCast, in which Tim
Crouch&amp;nbsp;talks about I, Malvolio. Keep your ear out
for this next week.

Read more about
TravCast here.


Get the latest episode with David Greig,
here.&amp;nbsp;

You can download and listen to TravCast on SoundCloud
and subscribe through iTunes.
</description><pubDate>Thursday, August 25, 2011</pubDate></item><item><title>Another Fringe First for the Traverse</title><link>http://www.traverse.co.uk//news/another-fringe-first-for-the-traverse/</link><description>
Its another win for the Traverse Theatre Company at the Fringe's
most sought-after awards.

Ten
Plagues has picked up a Fringe First in the second week of
the Scotsman's awards for the best new work at the
Fringe.&amp;nbsp;

The production joins last weeks winners,Futureproof, The Wheel and
Mission
Drift.&amp;nbsp;

A big congratulations to Mark Ravenhill, Conor Mitchell, Marc
Almond, Bob Broad and Stewart Laing - and to the creative team and
crew who have made this exciting project a reality.

Ten
Plagues is at the Traverse until 28 Aug.
</description><pubDate>Friday, August 19, 2011</pubDate></item><item><title>TravCast 2 - Zinnie Harris</title><link>http://www.traverse.co.uk//news/travcast-the-traverse-writers-podcast/</link><description>
Last week, we launched TravCast, an ongoing series of podcast
interviews with Traverse writers. This week, Jennifer Williams, the
Traverse's Literary Officer, talks to Zinnie Harris about her play
The
Wheel.

You can subscribe to TravCast through SoundCloud and itunes. If
you missed last week's interview with Lynda Radley, you can still
get it here.
</description><pubDate>Thursday, August 18, 2011</pubDate></item><item><title>The Wheel - going ahead this morning.</title><link>http://www.traverse.co.uk//news/last-nights-performance-of-the-wheel-cancelled/</link><description>
Last night's performance of The Wheel had to be cancelled due to
a technical issue in Traverse One.

This mornings performance of The Wheel, which was due to start at
10.00am, will now go up at 10.30am.

If you booked for last nights performance of The Wheel
through the Fringe, you'll receive an automatic refund. If you
booked directly with the Traverse, please contact us on 0131 228
1404 to organise a refund.

This will not affect other performances scheduled in Traverse
One throughout the day.

The next performance in Traverse One is, Last Orders,
which will start at 1.15pm.

Thanks for your patience!
</description><pubDate>Wednesday, August 17, 2011</pubDate></item><item><title>New batch of shows open at the Traverse</title><link>http://www.traverse.co.uk//news/week-two-openings-at-the-traverse/</link><description>
We said goodbye to three brilliant companies on Sunday night, as
the Corn Exchange headed back to Dublin and the TEAM and Bluemouth
inc. made their way back across the pond.

To take their place, we've got three equally brilliant companies
and shows opening here tomorrow: Tim Crouch's I, Malvolio,
David Hughes Dance with Last Orders and over at the Point
Hotel, the Arches and Adrian Howells' May I Have the
Pleasure..?

Week Two of the Fringe is shaping up to be a good one. Now if
only we could do something about all this rain..
</description><pubDate>Tuesday, August 16, 2011</pubDate></item><item><title>Herald Angel Awards</title><link>http://www.traverse.co.uk//news/herald-angel-awards/</link><description>Another day, another round of awards at the Fringe. We're
excited to announce that we've picked up two Herald Angels at this
morning's awards ceremony - the winners are National Theatre of
Scotland's The Strange Undoing of
Prudencia Hart and the TEAM's Mission Drift.

The news comes after the first round of Scotsman
Fringe First awards yesterday, in which Mission
Drift also triumphed - the TEAM have just two performances
of their "shiny journey into the dark heart of the American dream",
their, "most fully realised cohesive and mature work yet," says The
Herald's theatre critic Neil Cooper. Keep up to speed with this
extraordinary group of theatre makers through their website and
blog, theteamplays.org. We
certainly will be.

Over in our off-site venue, Traverse@Ghillie Dhu, The Strange
Undoing of Prudencia Hart is holding critics and audiences
alike rapt with it's "terrific script, great music, inventive
staging and a superb ensemble cast." (The Herald).

You...</description><pubDate>Saturday, August 13, 2011</pubDate></item><item><title>Scotsman Fringe First Awards</title><link>http://www.traverse.co.uk//news/scotsman-fringe-first-awards/</link><description>
The first round of Scotsman
Fringe First Awards was announced this morning, and we're
delighted to say the Traverse has picked up three.

Among the winners: our co-production with Dundee Rep Ensemble,
Futureproof;&amp;nbsp;National Theatre of
Scotland's The
Wheel and&amp;nbsp;the TEAM's Mission Drift.

Well done to all!
</description><pubDate>Saturday, August 13, 2011</pubDate></item><item><title>Reviews for Traverse shows</title><link>http://www.traverse.co.uk//news/traverse-festival-reviews/</link><description>The reviews are coming thick and fast for Traverse Festival
shows!
 Check out the links below.

Ten
Plagues

"A thrilling triumph… Almond declares himself an unusually
gifted and charismatic participant. Bravo!" *****
 
whatsonstage.com

 "A moving journey." ****
 
The Herald

 "Almond's bittersweet songs are a triumph… genuinely beautiful."
*****
 
The Independent

 "Startlingly effective and gloriously full throated."
 
The Guardian

 "Marc Almond has a hypnotic quality… It grips. It is an
event."
 The Times

 "Astonishing." ****
 The
Scotsman

Futureproof

"Lovingly human." ****
 
The Herald

 "In Dominic Hill's assured and sensitive production, Radley's
story achieves a beautiful narrative arc … magnificent." ****
 The
Scotsman

 "Dominic Hill's production with the Dundee Rep strikes exactly the
right note." ****
 
Financial Times

 "There are not enough stars for this utterly draw-you-in drama."
*****...</description><pubDate>Thursday, August 11, 2011</pubDate></item><item><title>Week Zero at the Traverse Theatre Festival</title><link>http://www.traverse.co.uk//news/festival-news-week-zero/</link><description>Week Zero of the Traverse Festival has been an adrenaline-fueled
affair. Dance Marathon had its first outing
on Wedensday, and our first Fringe audience were more than up for
the three-and-a-half-hour-challenge. The reviews for this
extraordinary feat of endurance are beginning to roll in today -
The Herald and The Times both awarded the show four stars. Read
more about Dance Marathon here.

Shows in Traverse Two open today, with Monster in
the Hall, Man
of Valour, The Golden Dragon and Wondrous
Filtting making their debuts. We'll keep you posted on
what the critics think over the next few days.

The Traverse One shows premiering on Sunday include Dundee Rep
Ensemble / Traverse Theatre Company production of Futureproof (pictured). Dominic
Hill's final production for the Traverse is a magical and deeply
human story of a family of freaks who have hit hard times. Read
Dominic and writer Lynda Radley's interviews about the show with 
The List and The
Scotsman.

Next...</description><pubDate>Friday, August 5, 2011</pubDate></item><item><title>Dance Marathon at the Traverse Theatre - Edinburgh</title><link>http://www.traverse.co.uk//news/dance-marathon-at-the-traverse-festival-call-for-dancers/</link><description>We are looking for volunteers with training in modern or swing
dance, or an interest in interdisciplinary theatre, to work with bluemouth inc. as embedded performers
within their Fringe Festival show - Dance Marathon.&amp;nbsp;

 Dance Marathon is an interactive, duration based
performance event inspired by the physically grueling spectator
sport from Depression-Era North America. Volunteer dancers will mix
with bluemouth inc. performers and audience members under the
direction of floor judges and the merciless movement of the clock
to shape participation theatre.

 Volunteers will have an opportunity to work closely with this
international collective, gain valuable experience and be part of a
truly invigorating piece of theatre in the 2011 Edinburgh Fringe
Festival. Dancers do not need to be professional but do need some
movement skills.

 Dancers need to be available for all:

 - Day rehearsals 26 -28 Jul &amp;amp; technical rehearsal 2 Aug
2011
 - Evening performances...</description><pubDate>Wednesday, June 29, 2011</pubDate></item><item><title>Traverse Theatre at 2011 Avignon Festival</title><link>http://www.traverse.co.uk//news/the-traverse-at-avignon/</link><description>The Avignon Festival will this year feature two of our most
exciting writers, Sam Holcroft and Linda McLean.

Cancrelat,
a translation of Sam Holcroft's play Cockroach will
feature in the official programme of the 2011 Festival, directed by
renowned French theatre director, Jean-Pierre Vincent. The play
originally premiered at the Traverse in 2008, in a co-production
with Traverse Theatre Company and National Theatre of Scotland.
There will be four
performances of Cancrelat, plus post-show discussions with
the Artistic Team on 8 &amp;amp; 9 July.

Cockroach was translated into French during the
Traverse Theatre's 2009 residency exchange with Parisian theatre,
Theatre Ouvert,
which was originally founded at the Avignon Festival on 23rd July
1971. These events are part of the Avignon Festival's programme
marking Theatre Ouvert's 40th anniversary.

Sam Holcroft developed her extraordinary talent when she joined
the Traverse Theatre's Young Writers Group in 2003 at the...</description><pubDate>Tuesday, June 28, 2011</pubDate></item><item><title>Traverse Artistic Director- recruitment begins </title><link>http://www.traverse.co.uk//news/traverse-artistic-director-recruitment-begins/</link><description>
﻿﻿﻿﻿The Board of the Traverse Theatre seeks to appoint a
visionary and dynamic Artistic Director to succeed Dominic Hill in
leading Scotland's acclaimed home of new writing for the stage.

For more information and a job application pack, click here.
</description><pubDate>Monday, June 27, 2011</pubDate></item><item><title>Traverse Festival 2011 Brochure- now hitting doorsteps  </title><link>http://www.traverse.co.uk//news/traverse-festival-2011-brochure-now-hitting-doorsteps/</link><description>
The Traverse Festival 2011 Brochure is hitting doorsteps as we
speak! Sorry again to all of you on our postal mailing list for the
delay, we hope it was worth the wait. Let us know what you think:
tweet&amp;nbsp;to&amp;nbsp;@traversetheatre, using
the&amp;nbsp;hashtag&amp;nbsp;#TravBrochure.
</description><pubDate>Monday, June 27, 2011</pubDate></item><item><title>The Metaphor in Question - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/the-metaphor-in-question-more-from-peter-arnott-at-the-genomics-forum/</link><description>"I live in a world of poetry," she said.
 "Everything seems significant to me.
 Everything has meaning.
 It's what gets me into trouble"

 Una Persson in The Entropy Tango by Michael Moorcock.

 1.

 History, besides BEING a metaphor
 Is MADE of metaphors.

 I want to EMPHASIZE that.

 Evolution is a metaphor -
 one that Charles Darwin
 much resisted.

 The word does not appear
 In the eighteen fifty-nine
 "Origin of Species"

 ("The survival of the fittest"
 Didn't turn up till the fifth edition
 and there as a quotation
 from the work of Herbert Spencer)

 Being classically educated
 (led-out)
 Darwin knew that "evolution"
 means "a rolling out from"

 He didn't like that a bit

 Implicit in the word
 is the idea that the organic present
 has rolled
 - progressively, Whiggishly
 and inevitably -
 from out of the past.

 That's what his predecessors (and successors)
 Meant by the use of that metaphor
 That's not what Darwin thought he saw...</description><pubDate>Monday, June 20, 2011</pubDate></item><item><title>Welsh Wonders</title><link>http://www.traverse.co.uk//news/welsh-wonders-more-from-peter-arnott/</link><description>Another recommendation for reading…Stephen Jay Gould's
Wonderful Life…not an essay on the cinema of Frank
Capra…but a radical, readable exposition on the fossils of early
Cambrian creatures found by Thomas Walcott in the Burgess Pass in
the Rockies more than a hundred years ago now…and reclassified in
the 70s and 80s by Simon Conway Morris inter alia…

 Gould uses the bizarre (to us) features of these creatures to
propose a radical new model for evolution…that instead of the story
of life on earth being one of simplicity evolving into
complexity…we all of sudden STARTED complex…and have been getting
simpler ever since…

 (Conway \Morris's own book on the Burgess Fauna - and more recent
discoveries in China - The Crucible of Creation, I also recommend.
Morris thinks that Gould's use of the fossils to turn all of
conventional evolutionary thought on its head is "premature" -
which is science speak for "bollocks")

 I love a good fight, me.

 A wee note…Cambrian...</description><pubDate>Monday, June 20, 2011</pubDate></item><item><title>A playwright? Be Serious! Writer in Residence at The Traverse Theatre</title><link>http://www.traverse.co.uk//news/a-playwright-be-serious!/</link><description>The other reaction I'm getting is from the other pole of this
sphere…from the scientific types with blue sparks emerging from
their frontal lobes (which includes my own brother, actually)
looking at me with deep scepticism…a playwright?…engaging with
genomics?

That's nice, they say…dismissing the idea as a bit of
cross-cultural-public- engagement- blah blah blah-box ticking.

(They're far too nice to SAY that, of course.)

And they go back to their work. Back to "reality".

Hang on…I say…(or I'm saying now)…I'm here to learn
things.&amp;nbsp; I'm here, first and foremost to read and to
listen…

And anyway, I don't think you can divorce the personal politics
of moral values, from scientific discourse…you can't put moral
questions and scientific questions into discreet monadic boxes…any
more than who owns the copyright on my chromosomes is none of my
business.

I don't think that scientific work can ever be divorced from the
society it happens in, any more than...</description><pubDate>Monday, June 20, 2011</pubDate></item><item><title>Peter Arnott Resident Playwright - News - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/what-im-doing-here-peter-arnott-resident-playwright/</link><description>I'm planning to write a play for the Traverse called The Fly
Room - about power, property and knowledge - at the end of all
this, but in the meantime I'm going to be putting together what I
hope will be a series of provocative public events that share and
invite comment on the thinking I'm putting into it.

 Me and some actors will be presenting and interrogating key texts
and events from the making of the modern world of genomics…not
simply as a subset of techniques of biological and medical enquiry
and innovation…but as a way of understanding "life"…whatever that
turns out to mean.

 These are found texts…to be culled and winnowed…and debated
between…I've already got a pile of books and pdfs to read. Over the
next few weeks I'll be letting you know what I'm reading and a bit
of what I'm thinking.

 The first of these events is hopefully going to be towards the end
of June…a kind of trial balloon we're going to send up…maybe in the
Traverse
Bar…?

 (hint to...</description><pubDate>Monday, June 20, 2011</pubDate></item><item><title>“What Forum? Genomics What?” Peter Arnott Resident Playwright Kicks off his Blog - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/what-forum-genomics-what/</link><description>I've got a residency at the Genomics Forum I tell people.

 And the ones who nod wisely and avoid saying "Eh?" are just
pretending they have any idea what that means. (I should know. I
was bluffing when I got the gig.)

 "Genomics Forum" - people do keep asking me what that is. They're
mostly puzzled about the genomics bit. I'm getting a bit of a
handle on that, maybe. It's the Forum bit I'm still wondering
about.

 Anyway I'll start with the first bit:

 Genomics - this is:

 EITHER a catch all term for techniques and research developed in
the life sciences since the specific event of the sequencing of the
human genome.

 OR a bold new all inclusive paradigm for the understanding of
absolutely everything…honest!

 Hum…my patchy recollection of Thomas Kuhn suggests to me that a
paradigm shift cannot be willed. It happens or it doesn't. Maybe it
has happened, or IS happening…I hope to find out.

 What does seem to be rock solid already in the papers I've...</description><pubDate>Monday, June 20, 2011</pubDate></item><item><title>Traverse Festival 2011 - Traverse Theatre Edinburgh</title><link>http://www.traverse.co.uk//news/traverse-festival-2011/</link><description>Welcome to the Traverse Festival 2011. Join us on a journey
through the best new British performance this festival and discover
a programme packed with big ideas and epic storytelling.

Highlights include Marc Almond in a new piece of music theatre
by Mark Ravenhill and Conor Mitchell set in a plague-ridden 17th
Century London. Siamese twins and a bearded lady are just two of
the characters in Futureproof, Lynda Radley's
extraordinary first play for the Traverse. David Hughes Dance will
enthral and unnerve you in the nightmarish Last
Orders while Dance Marathon explodes onto
the dance floor of the reconfigured rehearsal room at the Lyceum
Theatre - one of the most exhilarating shows I have ever
experienced. And if you missed the hit of last year's festival - Roadkill -
then it's back by popular demand.

The first festival I programmed at the Traverse featured a major
new work by Zinnie Harris. I am thrilled that my fourth and final
programme contains her latest play...</description><pubDate>Tuesday, June 7, 2011</pubDate></item></channel></rss>